Experience the Power of the Slinky Sound Forest at Penguicon 2017

I’ll be at Penguicon again this year (April 28–30).  But instead of just sitting on a few panels and mooching a lot of free drinks, I wanted to do something extra special.  So this year I’m spending the entire weekend building something extra special for you to experience and interact with—and for the Slinkies to finally be heard.

Won’t you join me—and the Slinkies—before it’s too late?

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Simple DIY Guitar Stompbox Demo: Seeing is Believing; Be Hear Now (pun!)

A reader recently asked for audio samples of a few projects from my first book, so I made this quick lil video:

(Daaaaamn does that fuzz tone wail—and it’s literally ~$5 in parts!)

You might need headphones to hear the detail on the straight tremolo, but the throb becomes really pronounced at the end when I chain the two effects together.

In the process of uploading that demo video, I stumbled across this guy’s build of the Single-Chip Space Invader synth from my most recent book.  Oh, man, do I love that Star Wars lunchbox he used as a case! So rad!

Any of this look rad?  You can download a “jam pack” of complete projects drawn from both books. Click here now to get your free Junkyard Jam Pack PDF!

Handmade Synths from Junkyard Jammers!

I love, love, love(!!!) seeing and hearing the projects my readers build, and sharing them with folks thinking about how they want to tackle these same projects.  First up is Jason Jaknunas’s take on the Bleepbox 8-Step Analog Sequencer (Project 16 in Junkyard Jam Band)—which is easily the best version of this I’ve ever seen (it totally leaves mine in the dust, and I designed the damn thing!)

Everything is just so sweet and just-right here: the knobs, the brushed aluminum label, the wood cheeks, the grommets padding out the LEDs, the labels—but also the little things, the visual balance among the elements, the use of different sizes of knob on different functions.  Give it a look, then give it a listen.  So rad!

An absolutely lovely Bleepbox built by Jason Jaknunas
An absolutely lovely Bleepbox built by Jason Jaknunas

Arthur Lacomme in Brussels, who I’ve linked before, sent me a link to a rad lil Single-Chip Space Invader (Project 15 in Junkyard Jam Band) he built. Click thru to hear this bad boy; such chiptune joy!  Arthur and his pals have plans to hit an upcoming “wild carnival” with some noise-enhanced clothing.  I look forward to seeing and sharing video!

Single-Chip Space Invader by Arthur Lacomme
Single-Chip Space Invader by Arthur Lacomme

Keep seeking out the Good Noise!  Keep sharing what you find!

A Grab Bag of Human Music Technologies

Girl totally rocks the original “Super Mario” medley (complete with coins and power-ups!) on a sheng, sounds like she totally belongs in the Mos Eisley Catina Band:

A robot plays a pop hit (I love the rhythmic element that the robot’s motors and gears bring to the song):

Props to Arthur Lacomme for pointing me to this one featuring “Mr. Curly” (which is the instrument, not the dude playing it).  I love that watering-can clarinet Pollack demos around 1:45! 

(Arthur also recommends the open-source Rakarrack software package, which he uses when he rocks his Mr. Curley.)

This one is pretty interesting if you stick with it; what you no doubt initially take to be a precursor to the 8-track is playing cartridges loaded with ribbon-based analog records(!!!).  The macro-lens bit at around 5:20 gives you an example of both the sound (pretty damn solid) and the mechanism (OMFG! Wünderbar!)  Hilarious remote control, too.

And then there’s this guy:

chordophone-lyre-plucked
My beautiful picture

(FYI, that caption was Wordpress’s suggested—and I love it!!!)

o_O  The thing that makes this one, for me, is how the strings are anchored in the eye sockets(!!!)  The Met has several of thesefrom different generous donors and almost certainly different artisans—and they all use the eye sockets and brow ridge as a saddle and bridge.  Humans, amiright?

N.B. that, according to current expert opinion, this thing—which is indeed from Central Africa, where it was crafted in the 19th C by a native artisan—was produced for no other purpose than to sell something fantastically “primitive” and “savage” to European tourists/anthropologists (and thus inform European opinions of these nations and, in all likelihood, form the foundation of the moral justifications for brutal colonialism).  I invite the reader to meditate on their own how this might mirror our current situation with imported polarizing/fake news, and who the greater savage might be: The supplier who makes the ersatz evidence, or the customer who furnishes the demand and shells out the cash?

Happy Non-Denominational Gift Giving Holiday Season, Mofos!

(NOTE: If you’re feeling deja vu, don’t sweat it; I post this every year, because I love you)

I’m a mixed Jew who’s lived in the American Midwest for his entire life. I think these songs, more than anything else I’ve ever written, are honest about that experience.

  • Another Dark Xmastime (FUN FACT: I wrote this during my first year as a fundamentally unemployable stay-at-home dad; my son believes it is an accepted part of the general Xmas Music Canon.)
  • Dreidel Bells (FUN FACT: The beat here is an original GameBoy running an early German Nanoloop cartridge. Both voices are obviously me, but the filters for the robot voice badly overburdened my iBook, causing significant lag–which is why Mr. Roboto struggles so badly to hit his marks.)
  • DreidelDreidelDreidel (FUN FACT: The beat here is a vintage analog Boss DR-55 once owned by POE, crammed through a heavy-metal distortion stompbox.)

So, this is a hella catchy song that I really love—

—but it also super-duper creeps me out, because it sorta seems like

  1. the speaker is a sociopath who
  2. is confessing to a crime in song.  Like, I think the narrator of this song is maybe that realtor who had that woman chained up “like a dog” in a shipping container on his property in North Carolina.  And finally, I’m a little worried that
  3. maybe this is Rick Springfield confessing in song—has anyone heard from Jessie’s girl lately?  I mean, shit, do any of us even know her name‽

Anyway, still a catchy tune—apart from the weird little record-skip repeat at around 1:30, prior to diving into the B-section.  I love the B-section and breakdown—especially because it then leads into, like, a “C” section(?) with a weird momentary Truck Driver’s Gear Shift and serviceable guitar solo—but that repeated bar near 1:30 has always sorta driven me nuts.

Anyway, enjoy!

Shout-out to this tacky Canadian rapper with his NSFW music video about doing sex with ladies on his hoverboard…

…you and I don’t appear to really have much anything in common, m’man—apart for our mutual love for whatever the hell it is we each individually think of when we think of “Freedom”—but you are a human untroubled by any insecurities of any sort, and I applaud that.

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