
This PDF includes templates for three boomerangs: a scaled down version of the quad-blade fast-catch boomerang in Snip, Burn, Solder, Shred, plus two new tri-bladers). Each fits on a single sheet of standard 8.5-by-11 paper (and, as a bonus, each of these designs scales pretty well; if you have access to a printer that can handle bigger paper, then you can scale these up and make bigger boomerangs).
To use the Print-n-Snip Boomerang Template:
If you come up with a boomerang design you like and want to add it to the template, drop me a line! (My email is in the "About the Author" box.)
If you have a little soldering experience--including building any of the electonics projects in Snip, Burn, Solder, Shred--then you're ready for T. Escobedo's "Circuit Snippets." This document includes several dozen sound circuits (largely guitar effects, although they work with any sort of instrument you can plug into an amp), which range from the relatively common (e.g., distortion pedals, phasers, envelope followers, pre-amps, auto-wahs) to uncategorizable strangenesses. In terms of quality, many of these sound as good as mass-market stompboxes at one-tenth the price.
(The Synthstick entry has a bit more about Escobedo's FolkUrban website, but the short story is that it was really cool, had lots of great designs for different instruments, and disappeared with GeoCities in October 2009. I saved PDFs of "Circuit Snippets" and the Synthstick, but many other Escobedo fans have done a much better job of archiving than I did, scooping up all of the audio samples, too. The "Circuit Snippets" mirror at Guitar HQ UK is one such faithful recreation of the old GeoCities page.)
For years, Tim Escobedo maintained the excellent FolkUrban website, which featured a wide array of instruments--both traditional and electronic--cunningly made from cheap, common supplies (lots of PVC and tupperware, grocery sacks, etc.) His projects were a huge influence, and served as invaluable templates to my tinkering; the synthstick was the first synth I ever built, and its VCO (the core noise-making circuit) found its way into many of my projects, as well as those built by my students (sharp eyes will see something very similar nestled at the heart of the Cigar Box Synth, Project 17).
GeoCities evaporated in October 2009, and Escobedo's entire site with it. I archived the Synthstick and his collection of Circuit Snippets as PDFs, but these don't include any of the audio examples. Happily, I've discovered that many other tinkerers loved Escobedo's site as much as I did, and archived various chunks; Googling for "T. Escobedo" is a good place to start.
For years, Steven L. Sachs maintained a great page on didgeridoos. It largely concerned making PVC didges like the Electro-Didgeridoo (Project 11 in the book), but also offered info on modifying lower-cost store-bought bamboo and teak didges into instruments that, sonically, could often pass for their genuine (and expensive) eucalyptus cousins. When GeoCities folded in October 2009, it took Steven's site with it. I've archived a PDF of his page, and humbly offer it here:

