Week 4 for is pinups again—where less is more, both in terms of clothes on bodies and lines on page.
My son said this first one was the most “human and dynamic.” I picked it because it was the most arresting: I was fairly confident you’d stop and look and click. At the very least, it epitomizes something that feels really central to the pinup aesthetic, about the power and confidence of the women depicted in these pieces. They may be nude, but are not naked.
That said, I think I was probably happiest with this sketch, which was maybe the most “poetic” for lack of a better word. It captures something about being lost in the luxuriance of moving through space that I really liked.
