Fresh translations of samurai accounts of a “barbarian” ship in 1830 give startling corroboration to a story modern scholars had long dismissed as convict fantasy: that a ragtag crew of criminals encountered a forbidden Japan at the height of its feudal isolation.
The “samurai accounts” listed above included watercolor sketches made by Makita Hamaguchi, who was sent to investigate the interlopers and their “unbearable stench.”
What really gets me, though, is the detail of the dog in this sketch, which Hamaguchi noted “did not look like food. It looked like a pet.”
Tuesday was my daughter’s first day of kindergarten. At 4:20, when her bus finally arrived, she didn’t get off.
The driver checked, first calling out from the front, then shushing all of the kids and calling out again, then finally going seat to seat down the length of the big yellow bus.
My daughter wasn’t there.
Don’t worry—this is an “all’s well that ends” situation: Due to a printing error her First Day of Kindergarten name tag didn’t have her bus number printed on it, and subsequently she’d gotten on the wrong bus.She ultimately wound up exactly where she should have been, all smiles and in fine fettle—albeit about an hour and a half late, following two bus transfers, and thanks to the intercession of three bus drivers, two transpo office workers, four school admins across two buildings, and one teacher. (The second day went smoother—in part because a neighbor kindly took it upon themselves to assign their first grader the job of making sure my daughter always sits next to her.)
You’re probably thinking “You must have been terrified!“, but the thing is, my son (now 11) also never showed up at the end of his first day of kindergarten. I can’t even properly recall how that came to pass, now, just that he didn’t get on any bus at all.This may have been due to some confusion about aftercare (which required he take a different bus to get to a different locale)—
but I seem to recall that the geodesic dome he’s on in the pic had something to do with it, too, being strategically located right next to the bus loading area, but on the far side of a hedge tall enough to block the play structure from view, but not thick enough to prevent a kindergartner from slipping through.An attractive nuisance if there ever was one.
Incidentally, his fish—a beta named “Electric,” given to him by an older boy who’d won it at a Labor Day fair, decided he didn’t want some stupid fish, and had thus stood in a gazebo and called out “Who wants a fish?”—had died that day while my son was gone at his first day of school.That would be lamely symbolic if it wasn’t just a fact.
Point being, the boy was fine, as you can see in the picture.He was more upset about the fish, and even that didn’t last.
Anyway, you’re probably thinking “You must have been terrified!“
But I don’t know that I was terrified then either, because I remembered the end of my first day of kindergarten.I remember it clearly, because it occasioned what I now recognize to be the first truly adult thought of my life:
I was the only kindergartener that rode my bus.The “safety” (one of a small cadre of fifth graders given fluorescent orange Sam Browne belts and tasked with holding doors, keeping the halls orderly, and making sure the little kids found their buses) led me down a long cinderblock-and-linoleum hall, where kids were other kindergarteners were lined up under construction-paper cut-outs of school buses.He stopped me in front of a red paper bus, taped high above my head on the wall, and said:
“This is your bus.”
He walked away.I stood there, alone, staring up at the two-dimensional red paper school bus, and thought to myself:
“How the hell am I supposed to get home on a paper bus?”
I tried to puzzle this out, and had a brief, vivid moment where I imagined myself shrinking down and flattening out like a Shrinky Dink™, transforming into a big-nosed black-and-white cartoon character (basically the kid from that 1980s Tootsie Pop commercial).Cartoon me moseyed up to the bus, the door accordioned open—just like the door of the real, steal, three-dimensional bus I’d ridden to school just after eating lunch with my mom (back then it was half-day kindergarten, and I had PMs)—and I climbed aboard. Then the paper bus chugged to life and cruised down the wall in a little Pig Pen-esuque swirl of penciled diesel fumes.
In that moment, and for a moment, I entirely believed in that scenario. It was the only thing that made sense. And then I recall thinking:
“No, that can’t be right.“
Soon enough another safety came and lead us kindergarteners, lined up like ducks, down to the turnaround where the real steel yellow schoolhouses were similarly lined up, and I discovered that my bus was identified with a number (that I could not read) written on a sheet of red construction paper—hence the red paper bus on the wall.So, sort of a semiotics lesson built into that first day of school to, I guess—although it was a bit above my head (pun? joke!)
Point being, kindergarten was my first time out of the home place, in a meaningful way.Going to kindergarten, among other things, meant my first brushes with anti-Semitism, with both the quiet, constant terror of bullying, and the quiet heroism of the few bigger kids who tried to stand up for you.And it was my first taste of solitude, being left to think my own slow, long thoughts in the intervals between assigned activities—something that I still treasure very much.I wasn’t me before I was finally left alone to be me.
But none of that was on the First Day.
On the First Day I had to grapple with staying calm when faced wth a seemingly impossible scenario: Here, kid, you’re six now; figure out how to ride a paper bus home.
In a lot of ways, my life has been a series of brief intervals separating moments of distorted, disconcerting reasoning–and in which the only thing that separated me from a Very Bad Turn of Events was that simple first adult thought:
“No, that can’t be right.Calm down and think this through.”
It’s the only useful response to the apparently endless string of Kobayashi Maru that make up our lives.
Not that I knew any of that then—for chrissakes, what do you expect?I was six; it was My First goddamn Day.
I love a lot of things about both this Carnaval Sauvage de Bruxelles thang and Arthur’s contribution to it, bot most of all I love their costumes. When I was very little my mother was a docent at the Detroit Institute of Arts, and so my earliest memories are of that museum, and especially their collections of Native American and African ritual art and “material culture.” I’ve always loved the dance costumes they have in their collection (similar to those shown below, which are in the AIC), and the dances that went with them, which were exuberant and otherworldly to me (much like the sounds that I like to dig out of unsuspecting electronics).
Arthur also pointed me to a few of his fellow Brusselers (Brusselman? Brusselsprouts?) similarly pushing out into the fringes of the Good Noise. I’m loving this!
Tunde Olaniran: OMFG, Tunde Olaniran! From the sadly infamous Flint, MI, Tunde Olaniran is superfantastically trans-everything. Go listen to Transgressorand then buy it and then listen to it again and again and again. I seriously absolutely equally love every single track on that album.
Passalacqua: I’m still exploring these guys, both from Detroit; been loving everything I’ve tried by them. This mixtape is a low-risk place to start, but I’m leaning more toward their albums CHURCH and Passalacqua, and the Banglatown EP.
Noname: This poet/rapper from Chicago is awesome, the natural inheritor of the crown Lauren Hill dropped after releasing The Miseducation of Lauren Hill. Noname’s Telefono mixtape is absolutely mandatory listening. Go grab it now! Hell, at the very least go right now and listen to track number one (“Yesterday“) and tell me you don’t absolutely love Noname without reservation. GO!
Looking for that perfect comic-dystopic-romantic sci-fi beach read? You’re in luck: The first three chapters of my novella Expiration Date are now available online (in both slick-as-hella web versions, and some pretty damn fine looking PDFs, perfect for offline, ebook, and tablet reading—just clicking on the “Print” button to open and save the PDF for that chapter. As an example, here’s the chapter 1 PDF.) And don’t worry, this isn’t a cheap tease: All nine chapters will be released, free to read, one each week for the rest of the summer.
Sideshow Bob:[chuckling] Mr. Simpson, you are forgetting the first two noble truths of the Buddha.
Homer Simpson:I am not!
For those who slept through Buddhism 101—or failed to see The Simpsons Episode 8F20 (season three, episode 21, first aired April 9, 1992)—the First Noble Truth of the Buddha is this:
There is suffering.
Which isn’t such a revelation at first glance, but like a lot of things with the Buddha, the big reveal isn’t in what he’s said, but what he’s omitted:
The First Noble Truth is not: There is suffering because you’ve done bad things.
nor is it: There is suffering because you didn’t try hard enough.
nor is it: There is suffering because you are a screw-up.
nor is it: There is suffering because man is born of Original Sin.
nor is it: There is suffering because God is dead!
nor is it: There is suffering because God is a jerk!
nor is it: There is suffering because there was never any God!
There is no “because” at all. It’s a simple statement of fact that should be obvious, but which we all deny on a daily basis: There is suffering.There just is. Often with no one to blame. Often for no reason at all. And that’s fine; stop beating yourself up over it (which, handily, brings us to the Second Noble Truth—Suffering is born of craving and desire and clinging to How Things Should Be—which is important, but not really germane to skateboarding).
I bring this up because I need to share something with you:
If you are an adult person getting on a skateboard,
YOU ARE GOING TO GET HURT.
Full stop, no ifs, no becauses, no unless, no provisos.
If you are really careful… YOU WILL STILL GET HURT.
If you always wear your pads… YOU WILL STILL GET HURT.
If you are lucky or unlucky, careless or stupid, cautious or clever…YOU WILL GET HURT.
It might be minor or major, might land you in the ER or sit you on your sofa for an afternoon with ice on your knee, but one way or the other YOU ARE GONNA GET HURT.
… and that’s fine. If is fine and just and right that you will be injured, because, as the Buddha and Sideshow Bob remind us, There is Suffering.
Every time I start talking to someone my age about the fact that I returned to skateboarding at 36, they voice admiration, and then something like envy, and always lurking around is the sentence “I’d break my neck if I tried that!”
And the thing is, while you will certainly get hurt, you probably won’t break your neck. There is, as it turns out, quite a distance between hurt and crippled, and even a further reach to dead. I’ve seen folks take tremendous falls and pop right back up, I’ve seen—and taken—minor falls that have turned out to be sprained ankles and broken wrists and concussions. I’ve seen—and worn—bruises every color of any Michigan sunset in any season. I’ve seen plenty of broken bones, but not a single death or black out.
So let me share with you something my doctor told me when I told her I’d taken up with skateboarding—on the visit I scheduled as a follow-up after a trip to the ER:
“Good. Keep it up.”
Her rationale: If you are an adult American, than it is almost certain that you aren’t getting nearly enough exercise. And—Noble Truth alert!—you aren’t likely to start getting more exercise as you continue aging. So, in the absence of everything else, the choice here isn’t between taking a risk by jumping on a skateboard and playing it safe by not doing so: Not getting enough exercise absolutely guarantees a shorter life with degraded quality. Absolutely, with no exceptions. Full stop.
Getting on the skateboard? You’ll get hurt, but you won’t die. And, hell, I regularly hang with a 70-year-old dude at my local skatepark. Does he tear it up? Nope; he cruises around, carving on the transitions, working on dropping on. But he’s having hella fun, and I’ve seen him take big falls and pop right back up.
A reader recently asked for audio samples of a few projects from my first book, so I made this quick lil video:
(Daaaaamn does that fuzz tone wail—and it’s literally ~$5 in parts!)
You might need headphones to hear the detail on the straight tremolo, but the throb becomes really pronounced at the end when I chain the two effects together.
In the process of uploading that demo video, I stumbled across this guy’s build of the Single-Chip Space Invader synth from my most recent book. Oh, man, do I love that Star Wars lunchbox he used as a case! So rad!
Any of this look rad? You can download a “jam pack” of complete projects drawn from both books. Click here now to get your freeJunkyard Jam Pack PDF!
This one is pretty interesting if you stick with it; what you no doubt initially take to be a precursor to the 8-track is playing cartridges loaded with ribbon-based analog records(!!!). The macro-lens bit at around 5:20 gives you an example of both the sound (pretty damn solid) and the mechanism (OMFG! Wünderbar!) Hilarious remote control, too.
(FYI, that caption was Wordpress’s suggested—and I love it!!!)
o_OThe thing that makes this one, for me, is how the strings are anchored in the eye sockets(!!!) The Met has several of these—from different generous donors and almost certainly different artisans—and they all use the eye sockets and brow ridge as a saddle and bridge. Humans, amiright?
N.B. that, according to current expert opinion, this thing—which is indeed from Central Africa, where it was crafted in the 19th C by a native artisan—was produced for no other purpose than to sell something fantastically “primitive” and “savage” to European tourists/anthropologists (and thus inform European opinions of these nations and, in all likelihood, form the foundation of the moral justifications for brutal colonialism). I invite the reader to meditate on their own how this might mirror our current situation with imported polarizing/fake news, and who the greater savage might be: The supplier who makes the ersatz evidence, or the customer who furnishes the demand and shells out the cash?