—about some folks who really can’t leave the house:
I mention this now because I just learned that Audible is temporarily bumping artists’ royalties—which is nice, as I used their service to produce the audiobook of There Was a Crooked Man, He Flipped a Crooked House (voiced by the inimitable David Sadzin).
If you’ve never tried Audible before, it’s actually pretty sweet—I used it for years when I used to commute. These days, your monthly membership gets you a full-length audiobook and two Audible Originals each month. The first month is free with this link (here’s a UK-specific link, for those who need one). The thing that astounds me: Even though I haven’t been a member in more than 13-years, I can still access all the stuff I got through Audible back in the day—i.e., you really do have lifetime access.
[UPDATE 2019-11-25: I just saw Paul Di Filippo’s review of this antho for Locus, and so added a snippet of that below, because it’s insanely kind and flattering and I wanna crow about it.]
It feels a little odd to be a “new voice” in anything with so little hair atop my head and so much grey in my beard—but I’ll take it!The publisher has been kind enough to include a section of my story “In the Sharing Place” to whet your appetite (here’s a link to all five previews stories).Enjoy!
“Reminiscent of the weirdness of Ben Marcus’s The Flame Alphabet, “In the Sharing Place” by David Erik Nelson chronicles in vivid surreal fashion a post-invasion, post-collapse world where psychological counseling takes on dire new facets.…this is a killer collection, full of top-notch stories beautifully written and invested with much care, compassion and thought …Deploying the toolkit and concerns bequeathed by their literary ancestors, they are extending the reach of the genre not by plowing under everything that was built before and salting the earth, but by erecting new superstructures on old foundations—or perhaps new eco-communes in the shadow of dinosaur cities. It’s the way the field has always moved forward, and this volume gives plenty of hope that the future of future fiction is in good hands.”—Paul Di Filippo, Locus Magazine
“While readers may be familiar with many of the names and individual works here, having them together in one volume creates a stunning set of sf shorts. Highly recommended for all collections.“—Library Journal
“There are also stories that present unique dystopias such as the mist-haunted New York in Jason Sanford’s ‘Toppers’ or the mysterious outside world in David Erik Nelson’s ‘In the Sharing Place.’”—Booklist
“After some kind of alien invasion/apocalypse, children try to come to terms with the loss of their families ‘In The Sharing Place’, a thoughtful and ultimately a chilling story by David Erik Nelson. Much of the narrative takes place in the therapy sessions that happen in the Sharing Place and only slowly are details of the apocalypse revealed. It’s a very effective tale.” SF Crowsnest
The Pseudopod team always does great work, but I’m especially thrilled with what the reader—Rish Outfield—has done here; the story has lots of voices, and he captures them all.Such a treat. (For those less inclined to audio drama and more to old-fashioned reading, they have the full text of the story posted, too.)
Rebel Nell works with local organizations to hire women transitioning from homelessness and teaches them to craft unique, wearable accessories made from the fallen layers of graffiti that grace the buildings and underpasses of Detroit.
DISCLOSURE: I’m from the Detroit Metro Area. My dad was born and raised in Detroit. We love that stupid city, my family has planted their hearts there, and I’ve bought Rebel Nell jewelry for my wife. It’s neat stuff!
But Rebel Nell isn’t just mining the lead-flecked ruins of Detroit to sell bougie baubles. Through their non-profit arm—Teaching. Empowering. Achieving. (T.E.A.)—Rebel Nell provides all the wrap-around services to empower vulnerable women and families as they transition to a life ofindependence. T.E.A. invests in training, education, skills development, coaching, and mentorship services (including basic employment opportunities), in addition to other support and assistance to these women.
This ain’t giving away fish; it’s teaching folks how to fish, and making sure they’ve got a decent rod and reel to get them started.
The Nelson Foundation provides financial support to individuals and organizations that use art to create opportunities that better our community. (Note conspicuous name similarity—this is something my folks and older sister make happen.) These usually take the form of direct grants and tuition support to underrepresented students in the arts in Michigan.
This Tuesday—November 27, 2018—The Nelson Foundation will be giving up to $5,000 to Rebel Nell/T.E.A. in matching funds.
You give $1, and the Nelson Foundation matches that. Everyone together gives $5,000 and the Nelson Foundation doubles that—boom!, $10,000 goes directly to supporting women and families getting free and building up their communities.
I’ll level with you: This is going to be a hoot. It’s a good book, it reads well, and I’m moderately hilarious. I’ll bring snackies of some sort.
Nonetheless, I’m totally dubious about my capacity to draw an audience. Therefore, I’m running two contests(!!!) associated with this event:
CONTEST: If you are the one and only person who shows up you get a free book, a personal reading, and a free drink at the nearest bar!
BONUS CONTEST: If the number of attendees exceeds the number of fingers I have (total), I will additionally read from the novel of y’all’s choosing. No reasonable request refused!
2. Good Noise in the Loud Lab!
On October 28 I’ll be the featured artist in the Sonic Workshop at the Ann Arbor Hands on Museum from noon until 4pm . I’ll be running my “Loud Lab,” which includes a special installation of the Slinky Sound Forest, weird homebrew instruments and freak-out noisetoys you can rock out on, and an opportunity to craft your own weird noise-music-thingies under my dubious tutelage. Details:
The Imagination Station in Toledo (where I was helping folks find the Good Noise™ all last December) is hosting their very own Mini Maker Faire this September. Great folks down there, and a great location along the river. I’ll be there all day with the Loud Lab (amplified Slinkies, simple DIY synths, electric diddley bows. and more)—so mark your calendar. And, if you’re a maker sorta a person, consider applying and showing off what you do (the application deadline is fast approaching).
Just a quick note: I’ll be at Penguicon 2018 all this weekend (May 4–6 in Southfield, MI). Here’s a schedule of all the stuff I will do (mostly lit oriented; in gray) and might do (mostly games and movies; in non-gray colors).
If you’re gonna be there and you wanna high-five or something, just hit me over email or Twitter and we’ll work it out.
I tweeted about this a bit earlier this week, when Google alerted me to the existence of this cryptic (to me) web page, which appears to be a ballot for a “Japanese Nebula Award” with one of my stories in the running for “Best Translated Short Story.”
As it turns out, this is an actual thing, and sort of a big deal. (It’s called the “Seiun Award” in English—and evidently has nothing to do with the SFWA Nebula Award; the Seiun Award is named for Japan’s first SF magazine.)
A quick glance at that Wikipedia entry shows that, if my story should win, I will be the least famous cat to ever get one of these awards—and by a very significant margin. Which is to say, I’m not going to win. Still, it’s fun to be nominated. (Also, how the hell is it that I don’t have a Wikipedia page? This is at least the third page that mentions me and deadlinks my name. The ISFDB, on the other hand, is hitting this out of the park. Well done!)
Anyway, if you’re wondering what all the shouting is about, you can read the story—my first Time Portal tale, “The New Guys Always Work Overtime,” winner of a 2013 Asimov’s Award(!!!)—for just 99 cents.