You’ve no doubt already seen a news item about those Japanese teen-nympho sex monkeys rubbing up on adult male deer:
(Aside: Is anyone else weirded out that they always look at the camera? That doesn’t seem like happenstance. Like… is it… is it part of the kink for them? ’cause that makes me sorta feel… like, I don’t want to be made a part of this without my consent. That’s all I’m saying. I do not consent to this.)
Japanese macaques are known to ride deer like humans ride horses, for fun or transportation — behavior the deer seem to tolerate in exchange for grooming and discarded food.
So, just an FYI: Japanese monkeys are in the midst of domesticating deer—you know, for fun, or transportation, or (as we did before them) to increase their travel range and capacity to haul loads. Loads, like, I dunno, the lifeless bodies of the defenseless denizens of Tokyo, after marauding teen-nympho sex monkeys start raiding that once grand metropolis, charging in under cover of night astride their deer consorts, cutting us down, smashing our skulls, and feasting on the goo within!!! IT’S IN REVELATIONS, PEOPLE!!!
Anyway, point being they’re are only two ways this story ends, and neither of them is good. Our future is either this:
I normally would have skipped this (“Vulture—Louis CK Is Done”), because I don’t particularly care for Louis C.K.’s work one way or the other. But do yourself a favor and give this article read; it’s bigger than this moment, and starts to get its arms around something that we finally need to wrestle down:
When disturbing stories about respected artists come from the distant past, we treat them dispassionately, as just one detail among many. Present tense or near-present tense revelations hit us differently because we share the same world as the artist, breathe the same air, feed the same economy. We think of them as contemporaries, even as people we know. This kind of revelation changes the relationship between the artist and the art, in a way that places an unasked-for, unfair burden on the audience. This is what’s happening culture-wide. And it’s not the fault of people who didn’t report it, or audiences who aren’t sophisticated enough to separate the art from the artist. It’s the fault of the artists for being secret creeps or criminals, and the fault of the system for making it possible for them to act this way for years without being punished.
UPDATE:If you’re the sort of person who uses storytelling to help them understand the world, then this horror story might maybe help you understand Louis CK right now: “Hello, Handsome”
Hey gents: Ever wanted to do sex stuff to a cannibal ghost’s face? Well, guess what? NOW YOU CAN!
I don’t wanna come off as a prude or anything, but I think that there’s maybe absolutely nothing not wrong with this, from it’s name—which starts with “sexbaby“(!!!), and then somehow manages to get worse—to the use of colors and shapes, to the reviews, distressingly low price, and the fact that this is in stock and “Fulfilled by Amazon” (thus conjuring the image of untold ranks of shelves in a Tennessee warehouse, holding uncountable numbers of cartons, each containing boxes upon boxes of individually packaged artificial ghostbaby sexmaws. With teeth.)
The most foreboding sentence in the video embedded below–in terms of the obvious teledildonic applications of this tech–has to be: “Predicting the behavior of soft robotic devices is difficult.” Yikes!
For reals, though, there is *a lot* of legit awesome here (both in mainstream R&D and homebrew garage mad-science)–as well as the only legitimately feasibly use of 3D printing I’ve yet seen suggested[*] Harvard Makes Soft Robotics Open-Source | Motherboard
Robots, the classic symbol of the techno-future, are now bopping around in the suburban garages of most anyone with $40 or so to spend on parts and with a bit of programming acumen, or at least the desire/ability to learn a bit of code.
Thanks to a new toolkit released by researchers at Harvard University, those garage robot tinkerers can now expand into the realm of “soft” robots, e.g. robots made to squish and deform like mechanical slugs or eels.
Here’s a cool lil vid of a pretty evolved example of “soft robotics.” I think this little fella was even programmed to feel pain, regret, and ennui!