Your introduction to the Crypto-Jews of the American Southwest

Some readers are thrown by a reference in my latest story to the protagonist, home inspector and minor-TV celebrity Sadie Espinoza, who describes getting bullied in high school, noting that:

Jewish Espinozas weren’t remotely “wetbacks.” They weren’t even “immigrants”: they’d been in New Mexico—where her dad and his brother grew up—since before it was “New Mexico.” The only thing calling her “wetback” did was make it clear how stupid those girls were, like a house cat strutting around thinking it caught a snake when all it had was a shitty old lizard tail.

Some folks are confused because they had an American public school primary education east of the Mississippi (as I did), and thus don’t know that Santa Fe is the oldest state capitol in the US, having been establish 150 years before the country was founded.

A much greater portion of readers are confused because they think of all Jews as European shtetl folk who came here in the late 19th and early 20th C (as mine did), and thus know nothing about the extremely long history of Jews in the New World (short version: we’ve always been here, and you’ve never liked us).

Anyway, if you’re curious about any of this, the graphic novel El Illuminado is a good introduction to Crypto-Jews and the impact the Inquisition had on world Jewry. Maybe more importantly, it’s really fair in how it illustrates the divisions and discomforts within and among Jews of different traditions/colors/descents, as well as the way that even established, assimilated, respected, modern, “White” Jews often find themselves alienated no matter where they try to stand or sit.

Agustina Bazterrica’s TENDER IS THE FLESH: ★★★★★ would dine again!

(I do a fair bit of reading, which I track over on Goodreads. Trying to move some of that value over here, prior to the inevitable enshitification.)

Cover art for the English translation of Agustina Bazterrica's novel TENDER IS THE FLESH

This book is a little like heavy metal poisoning. Its impact is pernicious, deep, and likely permanent. You’ll be powerfully tempted to pigeon-hole this as an allegory (about world-wide overconsumption of meat, about climate change, about patriarchy, about the deadly tendency to humor wealthy idiots)—but, jeez, don’t. That’s just a defense mechanism, your brain’s white blood cells trying to contain and thus destroy an interloper. Don’t cop out like that. Just let the story fully in, let it blossom and consume you.

It’s really a helluva book. In many ways, this is the exact opposite of Ketchum’s The Girl Next Door, in that it blessedly lets no one off the hook.


For those interested in other art Dave compares favorably to heavy-metal poisoning, consider Merhinge’s film Begotten.

“the only thing in life that’s really worth having is good skill”—Jerry Seinfeld

I do not endorse Seinfeld or Seinfeld (no deeply held conviction or ideological bone to pick there; he just never particularly worked for me, as a comedian or writer), but I do wholeheartedly endorse both the above sentiment, and reading the entire op-ed it came from (here’s a gift link 🎁🔗 ):

Opinion: The life secret Jerry Seinfeld learned from Esquire[*]

The takeways summarized in the op-ed are good and worth your time, and the core message is a fundamental truth:

Dedicating yourself to the mastery of a craft—against all odds and despite all distractions and obstacles—is the only path along which there is relief.

Along these same lines—delving into and reflecting on what it means to dedicate yourself to craft—I likewise wholeheartedly endorse this documentary (noting that, over the last decade I’ve revised my opinion on it in at least one important detail: although I still love the documentary, I no longer even mildly like any of these comics).


[*] I also don’t endorse Esquire—again, it never really worked for me is all. I do endorse the Washington Post, though. I read a lot of news reporting from a lot of sources, and there’s is consistently the most even-handed and makes the most honest attempt at being honest and accurate, in my humble.

I’d forgotten how much I loved watching this short SF film five years ago…

… and hate living it now.

(Incidentally I don’t recall the bit with Stuart Russel at the end being part of this when I first watched it, and feel it dilutes its power now: there is no reason to say “Given developments in A.I. and drones, someday soon this is going to be real!” It’s already real; it’s called guns: 1 out of every 20 Americans owns an AR-15; 3 in 10 own a gun of some sort. Only half of those guns are stored under lock and key, and only a third unloaded.)

“In the Sharing Place”—now available in Farsi!

My SF-horror story “In the Sharing Place” is now available in Farsi at Metaphorspace, thanks to the work of editor Amir Sepahram:

در محل اشتراک

I’ve gotta say, I especially love the treatment they (and presumably some A.I.) gave my author photo, making me look at least 60% more dashing and restoring both my hair color and widow’s peak (which latter I don’t think I’ve seen in the mirror since the early 2000s):

Comic-book style author photo of David Erik Nelson, courtesy of Amir Sepahram and Metaphorspace magazine: https://metaphorspace.com/tag/david-erik-nelson/

I look like the colleague that turns out to be the villain in a mid-1980s Indiana Jones comic!

🚨 LAST CHANCE🚨 to get “There Was No Sound of Thunder: A Time Portal Novel” for 99-cents!

My latest darkly comic scifi novel goes to full retail price tomorrow; get it while it’s still cheaper than basically anything else you might treat yourself to:


“An intriguing take on minimum wage employment and how it can be made to pay.”

John Fairhurst

What if your great new job had dire consequences for space-time integrity?

Fresh out of college and unsure what’s next, Taylor has lucked into a cushy job in human resources. Most companies keep costs down by outsourcing and off-shoring. Taylor’s bosses are different. They’re committed to staying “100% MADE IN AMERICA”—by bringing in cheap labor using a time portal. But their latest batch of “New Guys” aren’t like the others… 

“The movie pitch to the Sci-Fi Channel would be Breaking Bad meets Connie Willis’s The Doomsday Book. If this all sounds a bit grim it is anything but. Like Breaking Bad this has a strong streak of black humour running through it and is very entertaining.♥♥♥+”

SF Magazines

Can Taylor untangle himself from corporate HR, domestic terrorists, the problem of “Too Many Hitlers,” and threats to space-time integrity?

Cover art for "There Was No Sound of Thunder: A Time Portal Novel" Shows a young man in business attire silhouette against a high straight-walled passage, facing down the flaming concentric rings of a time portal.

“The big pleasure of this story is watching all the pieces come together. Rating: ★★★★★ Fun story with a sophisticated plot.”

Rocket Stack Rank

“There Was No Sound of Thunder: A Time Portal Novel” Now Available for 99-cents!🙀

My latest time portal novel is now on sale for just 99-cents (cheaper than the cheapest cup of coffee). 

“An intriguing take on minimum wage employment and how it can be made to pay.”

John Fairhurst

What if your great new job had dire consequences for space-time integrity?

Fresh out of college and unsure what’s next, Taylor has lucked into a cushy job in human resources. Most companies keep costs down by outsourcing and off-shoring. Taylor’s bosses are different. They’re committed to staying “100% MADE IN AMERICA”—by bringing in cheap labor using a time portal. But their latest batch of “New Guys” aren’t like the others… 

“The movie pitch to the Sci-Fi Channel would be Breaking Bad meets Connie Willis’s The Doomsday Book. If this all sounds a bit grim it is anything but. Like Breaking Bad this has a strong streak of black humour running through it and is very entertaining.♥♥♥+”

SF Magazines

Can Taylor untangle himself from corporate HR, domestic terrorists, the problem of “Too Many Hitlers,” and threats to space-time integrity?

Cover art for "There Was No Sound of Thunder: A Time Portal Novel" Shows a young man in business attire silhouette against a high straight-walled passage, facing down the flaming concentric rings of a time portal.

“The big pleasure of this story is watching all the pieces come together. Rating: ★★★★★ Fun story with a sophisticated plot.”

Rocket Stack Rank

My novelette “This Place is Best Shunned” has been nominated for a Shirley Jackson Award. Read it for free!

My story “This Place is Best Shunned” (Tor.com, July 2022) has been nominated for a Shirley Jackson Award!

The Shirley Jackson Awards honor Jackson’s defining contributions to modern literature by annually recognizing “outstanding achievement in the literature of psychological suspense, horror, and the dark fantastic.” I’m tickled pink to have been nominated, as “psychological suspense, horror, and the dark fantastic” are pretty clear the bullseye I’ve been aiming to hit for the past couple decades.

Here’s their official press release:


2022 Shirley Jackson Awards Nominees

Boston, MA (June 2023) — In recognition of the legacy of Shirley Jackson’s writing, and with permission of the author’s estate, The Shirley Jackson Awards, Inc. has been established for outstanding achievement in the literature of psychological suspense, horror, and the dark fantastic.

The Shirley Jackson Awards are voted upon by a jury of professional writers, editors, critics, and academics. The awards are given for the best work published in the preceding calendar year in the following categories:  Novel, Novella, Novelette, Short Fiction, Single-Author Collection, and Edited Anthology.

The nominees for the 2022 Shirley Jackson Awards are:

NOVEL

  • Beulah by Christi Nogle (Cemetery Gates Media)
  • The Dead Friends Society by Paul Gandersman and Peter Hall (Encyclopocalypse Publications)
  • The Devil Takes You Home by Gabino Iglesias (Mulholland Books)
  • Jackal by Erin E. Adams (Bantam)
  • Unwieldy Creatures by Addie Tsai (Jaded Ibis Press)
  • Where I End by Sophie White (Tramp Press)

NOVELLA

  • The Bone Lantern by Angela Slatter (PS Publishing)
  • Bound Feet by Kelsea Yu (Cemetery Gates Media)
  • Catastrophe by Deirdre Danklin (Texas Review Press)
  • Lure by Tim McGregor (Tenebrous Press)
  • Pomegranates by Priya Sharma (PS Publishing)
  • The Wehrwolf by Alma Katsu (Amazon Original Stories)

NOVELETTE

  • Azeman or, the Testament of Quincey Morris by Lisa Moore (Black Shuck Books)
  • “Challawa” by Usman T. Malik (Dark Stars:  New Tales of Darkest Horror)
  • “Sweetbaby” by Thomas Ha (Clarkesworld, October 2022)
  • This Place is Best Shunned” by David Erik Nelson (Tor.com)
  • What the Dead Know by Nghi Vo (Amazon Original Stories)

SHORT FICTION

  • “Brother Maternitas” by Viktor Athelstan (Your Body is Not Your Body)
  • “The Church of Divine Electricity” by Emily Mitchell (The Southern Review)
  • “Dick Pig” by Ian Muneshwar (Nightmare Magazine, Issue 112)
  • “Halogen Sky” by Wendy N. Wagner (VASTARIEN:  A Literary Journal, vol. 5, issue 1)
  • “Pre-Simulation Consultation XF007867” by Kim Fu (Lesser Known Monsters of the 21st Century)

SINGLE-AUTHOR COLLECTION

  • And At My Back I Always Hear by Scott Nicolay (Word Horde)
  • Breakable Things by Cassandra Khaw (Undertow Publications)
  • Hell Hath No Sorrow Like a Woman Haunted by RJ Joseph (The Seventh Terrace)
  • Lesser Known Monsters of the 21st Century by Kim Fu (Tin House)
  • Splendid Anatomies by Allison Wyss (Veliz Books)
  • We Are Here to Hurt Each Other by Paula D. Ashe (Nictitating Books)

EDITED ANTHOLOGY

  • Chiral Mad 5, edited by Michael Bailey (Written Backwards)
  • The Hideous Book of Hidden Horrors, edited by Doug Murano (Bad Hand Books)
  • Other Terrors, edited by Vince A. Liaguno and Rena Mason (William Morrow)
  • Screams From the Dark:  29 Tales of Monsters and the Monstrous, edited by Ellen Datlow (Tor Nightfire)
  • Your Body is Not Your Body, edited by Alex Woodroe and Matt Blairstone (Tenebrous Press)

2022 SHIRLEY JACKSON AWARDS CEREMONY

The 2022 Shirley Jackson Awards will be presented in-person on Saturday, July 15 at 8pm at Readercon 32, Conference on Imaginative Literature, in Quincy, Massachusetts.

PROFESSIONAL WRITING TIP: Put the last sentence first

Here’s a bone-simple way most folks can instantly improve their writing:

Take a look at the last sentence; should it actually be the first sentence?

(HINT: The answer is most often “Yes! #duh! 🤦‍♀️”)

I make my living writing commercial copy (yes, still, despite the rise of AI). At one point earlier in my career I was often asked to “fix up” stuff a client had drafted. One day it dawned on me that, most if the time, the final sentence of a client-written paragraph/section/page should actually be the first sentence. In fact, I quickly discovered that in many cases I could basically just move the final sentence to the beginning, fix punctuation, bill my minimum, and everyone would be delighted.  

It doesn’t matter what type of writing it is—a work email, an article, a speech, a blog post, a product description, a sales page, an essay, even many stories or poems—just put the last sentence first and you’re writing will immediately be clearer and more compelling.


But, why?

What I think is happening here is that most casual writers draft entirely chronologically, “thinking with their fingers” (that is, clarifying their thoughts as they write). As a result, they arrive at the true heart of what they want to say—something I privately think of as “the nugget”—last since, having uncovered that nugget they’d been digging for, they feel a sense of closure and relief and stop writing. They look back at the last few sentences, say “There! Nailed it! This is done!” and walk away. If they revise at all, it isn’t true revision, just proofreading.

The thing is, reading is the opposite of writing (in much the same way that a motor and a generator are opposites: apply current to a motor’s wires, you generate motion at the shaft; apply motion to the shaft, you generate current at the wires). Writers arrive at the nugget last when writing—it’s the product of their process. But readers need to receive that nugget first, because they’ve shown up for the product; they don’t care about the process. (Think about it: people don’t start drinking beer because they took a brewery tour; they take a brewery tour because they already love beer.) First you give them the product, then you have some space to to them why they should care.

Incidentally, there’s a deeper lesson here, which should probably be the first sentence of this post:

Amateurs write chronologically; professionals write the intro last.