“Yes,” I said, “Probably the only one in this room right now.” (I thought one of the gringo lawyers was Jewish, but she had gone out to smoke, so I felt pretty safe with this claim.)
The tico husband nodded his head sagely, smiled, and said, “The Jews control all of the money,” and then his smile froze and eyes went wide as his ears registered what his mouth had just said.
I want to stress that I didn’t feel there was any actual anti-Semitic content to the statement. During both this most recent visit to Costa Rica and my last, the groom had cause to emphatically insist that there is no anti-Semitism in Costa Rica, sorta out of the blue, which I take to be an indication that it’s pretty common in some circles. But ticos are, on the whole, the least aggressive or confrontational people I’ve ever met. As far as I’m concerned, they can hate Jews with as much vigor as they might muster, as I can’t imagine that ever building up to the point where someone would even bother scratching a swastika into a bathroom stall door, let alone killing my entire family and incinerating the corpses. It’s just not a tico thing to do. They don’t even yell at stray dogs, stupid drivers, or smarmy guys whistling at female joggers from passing cars.
SILVER LINING ALERT: While the imminent repeal of Net Neutrality will, over time, prove to be a major net loss for folks in general, there are three groups that could make hay while this new, crappy sun shines:
Victims of revenge porn
Victims of child pornography
Why? Internet providers have fought for and won the freedom to build revenue streams around regulating which packets traverse their networks how fast—and even to completely throttle some packets based on whatever criteria they like.If they can do that, then they can certainly be held accountable for what is distributed through their networks.They are no longer neutral conduits of information—and they have deep pockets.
I, for one, am saddened by this likely fatal blow to a free and open Internet—but I really, really look forward to watching victims—of hacks, of interpersonal betrayal, of privacy invasion, of documented childhood sexual assaults—sue the ever-loving shit out of Verizon, Comcast, AT&T, et al.
You know when your cousin–or whoever–archly intimates that Those People don’t really need food assistance or tuition assistance or healthcare subsidies or whatever, because “You always see Them with nice clothes or a new iPhone or a big flatscreen TV!” or whatever?
Remember this chart.And then show him this chart.
Similarly, when he points out that folks used to be able to work a summer in a factory and pay for a full year of college, back before affirmative action and illegal immigrants took all the decent jobs from hard-workers and gave them to the under-qualified and under-productive–please, once more, remember this chart.And then show him this chart.
Poor people have nice TVs because wages have gone up a little and the price of TVs has dropped like a brick.Cousin Bigoty can’t afford to get his kids an education because wages have gone up a little and tuition has shot the moon.
That said, economically speaking this chart is by no means a slam dunk for any particular political worldview. Check this article, with its nearly 180-degree interpretations of this chart: The same data can be read as either an indictment of failed socialism being inevitably co-opted and driving up the cost of necessities, or as an indictment of late capitalism giving the masses their “bread and circus” while denying them the necessities of serviceable healthcare, housing, and education.
For my part, it looks to me like what happens when you have massive (and growing) income disparity: Everything divides into either run-away Veblen goods or near-disposable commodities (from the perspective of those at the nose-bleed heights of the top of the hockey stick). This chart illustrates why, for many Americans, America no longer feels great, and similarly why all the trade protectionism and corporate tax giveaways and draconian immigration restrictions in the world will never make America great again.
Is this more plausible as a CIA guide for resistors trying to drag down fascists in foreign nations, or as a plot to nudge patriotic Americans into suspecting organized labor and broad progressive social movements of actually being enemy saboteurs?
…when I go to sum up the story in a Big Picture way, I end up saying the same thing that I said about that election:
I totally hear where folks—angry, aggrieved, not-gonna-take-it-anymore folks—are coming from, because I totally agree with them: They are getting screwed. We just totally disagree on who is screwing them, or what is a sensible way to address that.
This story is about that, in a fundamental way.
I also tell an anecdote about seeing a homeless guy get ejected from a Coney in the mid-1990s, and make mention of Michigan trespassing laws, the sovereign citizen movement, my neighbors from Chennai, and Dave-o’s patented “magpie and junk drawer” speculative-fiction drafting strategy.
The Nov/Dec issue of F&SF is still on newsstands—but only for a few more days. Nab your copy soon!
I don’t think I’ve ever read anything quite like this (and the audio version—also free on the Nightmare Magazine website—is really good).
Nominally a horror story, Sam J. Miller’s “Angel, Monster, Man” is, in fact, a really interesting piece of speculative fiction.Gets me thinking about how frequently fiction that speculates on a disenfranchised group getting power gets slotted into “horror”—and once you start thinking that way, all horror starts to look like a liberation fantasy as seen through the establishment’s eyes: Is Night of the Living Dead more about zombies, or more about the terror experienced by rural whites and the patriarchy when confronted with a competent black man? Is The Exorcist about demon possession or the threat of women’s liberation (see also, Carrie)?Is Psycho about a “psycho” or about the terrifying prospect of homosexuals no longer shackled by shame/guilt?
Long story short: Mulvaney the current head of the Office of Management and Budget, and last week the President also made him acting director of the Consumer Financial Protection Bureau (CFPB).This is a little odd, since Mulvaney is on the record calling the agency a “joke” that he’d eliminate—but that’s all just talk.What’s fundamentally rotten is that Mulvaney received roughly half a million dollars in donations from financial organizations that have been fined muy mucho dinero by the CFPB.
I’m not casting aspersions on Mulvaney or claiming he’s done—or would do—anything wrong; I’m sure he’s a great guy, and plausibly has many good ideas that make him highly qualified to filly two essential 120-hour/week gov’t positions.But just as a thought experiment, say you had a kid in day care, and that day care hired someone who seemed like a fine pick and totally passed the criminal background check, but had also accepted millions of dollars from a group of notorious and powerful pedophiles.Would this cause you concern?
Anyway, please take a minute and call your reps, and explain that you think there is maybe a moral hazard here.
I normally would have skipped this (“Vulture—Louis CK Is Done”), because I don’t particularly care for Louis C.K.’s work one way or the other. But do yourself a favor and give this article read; it’s bigger than this moment, and starts to get its arms around something that we finally need to wrestle down:
When disturbing stories about respected artists come from the distant past, we treat them dispassionately, as just one detail among many. Present tense or near-present tense revelations hit us differently because we share the same world as the artist, breathe the same air, feed the same economy. We think of them as contemporaries, even as people we know. This kind of revelation changes the relationship between the artist and the art, in a way that places an unasked-for, unfair burden on the audience. This is what’s happening culture-wide. And it’s not the fault of people who didn’t report it, or audiences who aren’t sophisticated enough to separate the art from the artist. It’s the fault of the artists for being secret creeps or criminals, and the fault of the system for making it possible for them to act this way for years without being punished.
UPDATE:If you’re the sort of person who uses storytelling to help them understand the world, then this horror story might maybe help you understand Louis CK right now: “Hello, Handsome”