But, straight talk: I love basically all the games Avery Alder cooks up.My son and I spent a summer playing The Quiet Year, and my wife (not an RPG person) and I spent the early part of this summer playing Abnormal. Highly recommended, all.
Not for nothing, but I’m not a huge fan of Black Friday/Small-biz Saturday/Cyber Monday/Giving Tuesday/etc. Yeah, there’s power in focusing our economic force on these specific days (obviously)—but also, there’s power in you just spending money on what you want when you want it.
Anyway, I love the denim from these cats in California, Brave Star. The cuts work for my particular body, the construction is quality, and the materials a delight (more of my thoughts on Brave Star—who, incidentally, are still using some of the final bolts of historic Cone Mills denim I mention in the post at that link).
If you wanna give them a whirl, you can save $10 on dope-ass, sanely priced, all-American-made denim with that link. (DISCLOSURE: If you use that link and coupon code you save $10 and I get a $10 credit. FURTHER DISCLOSURE: These are basically the only pants I wear anymore. I’m wearing a pair of indigo x brown Cone Mills selvedge Slim Straights right now, although my favorite are the various blacks. They are all good jeans.)
The #GoogleTranslatesMTG hashtag is basically the only thing on Twitter that hasn’t made me wanna cry in, I dunno, months.
Shit like this is why I always roll deep in Black, folks:
(Legit, though: Tormented Soul is a fun card, in my humble—but I just love the idea that it’s the crow saying “Great features!” It’s all, like, “Cheer up, bro! You can’t block, but you’re unblockable, and getting nicked for an extra life every round annoys the crap out of Dave-o’s kid!”)
There’re tracks by Kanye I like, and I have a great deal of respect and affection for Jay-Z (both because of and despite “The Story of O.J.“), but I’m sorry: As artists, neither have a patch on Donald Glover. The clarity and breadth of his thought and expression are dazzling and compact and searingly intense; it’s like getting hit in the chest with a frozen super-critical sphere of napalm.
In almost all regards—from title through execution, in the fears it tries (and fails) to exorcise, right down to its final graff—this is the 100% perfect short story for me. (And it’s likely no coincidence that it’s just about a perfect fit for my favored story formula, the 45/45/10 Three-Act.)
In many ways, this story is the exact opposite of the last Dale Bailey story I recommended—which, in a way, almost makes them philosophical book ends. That said, the real philosophical counterpart (counterpoint?) to Bailey’s “The End of the End of Everything” is Poe’s “Masque of the Red Death“; please read them back to back and decide where you stand. That’s what stories are for.
“The Donner Party” is mos def my fave story in the last issue of F&SF. It seems like an obvious gag straight through to the untangle—at which time it becomes bone chilling. Downright perfect dismount, in my humble. Recommended.
An excellent little horror story; starts ~4min 30secs into this episode of Tales to Terrify: Tales to Terrify 306 Liam Hogan Franz Kafka. This podcast is usually pretty solid, if you like straight-up traditional audiobook-style readings of short horror fiction. Puts me in the mind of Kathe Koja’s The Cipher—but more for art reasons than horror reasons.
I don’t think I’ve ever read anything quite like this (and the audio version—also free on the Nightmare Magazine website—is really good).
Nominally a horror story, Sam J. Miller’s “Angel, Monster, Man” is, in fact, a really interesting piece of speculative fiction.Gets me thinking about how frequently fiction that speculates on a disenfranchised group getting power gets slotted into “horror”—and once you start thinking that way, all horror starts to look like a liberation fantasy as seen through the establishment’s eyes: Is Night of the Living Dead more about zombies, or more about the terror experienced by rural whites and the patriarchy when confronted with a competent black man? Is The Exorcist about demon possession or the threat of women’s liberation (see also, Carrie)?Is Psycho about a “psycho” or about the terrifying prospect of homosexuals no longer shackled by shame/guilt?