…when I go to sum up the story in a Big Picture way, I end up saying the same thing that I said about that election:
I totally hear where folks—angry, aggrieved, not-gonna-take-it-anymore folks—are coming from, because I totally agree with them: They are getting screwed. We just totally disagree on who is screwing them, or what is a sensible way to address that.
This story is about that, in a fundamental way.
I also tell an anecdote about seeing a homeless guy get ejected from a Coney in the mid-1990s, and make mention of Michigan trespassing laws, the sovereign citizen movement, my neighbors from Chennai, and Dave-o’s patented “magpie and junk drawer” speculative-fiction drafting strategy.
The Nov/Dec issue of F&SF is still on newsstands—but only for a few more days. Nab your copy soon!
Found this in a stack of unlabeled 78 rpm records I bought off eBay, like, a billion years ago. No time to lay down a new track this week, so I just digitized this instead. Mysteries within mysteries, etc.
Beats per Week installment number five, with another deep cut from the limited U.S. release of the 1994 film In the Celestial Monastery. Folks will recall this motif—worked much more gradually in the film score as it appeared in theaters—from the long montage in which Sieto and P’u finally begin to find a way to communicate with the Wanderers and their technology.
A lot of the short films Dust releases are 75% solid, then fall apart at the untangle/resolution (often by not having one at all: they have a terrific Setup, then a nice Tangle, then roll credits—grrrrrrrr). But this one holds up nicely. Give it a watch:
I was interviewed by Lisa Haselton for her Reviews and Interviews blog this past summer.This was technically part of the publicity for Expiration Date, but mostly ended up being about other things.I tell a long anecdote about “When I First Knew I Was a Writer” (i.e., “The Most Important Thing I Learned About Writing at 15-years-old”) and “My Most Interesting Writing Quirk”:
What would you say is your interesting writing quirk?
I subvocalize almost constantly. Like, this sentence I’m typing right now, I’m thinking about saying it as I’m typing it. I can feel it on my tongue. It’s the same when I’m reading (and a big part of why I’m such a slow reader). Almost every thought I have is composed as an imagined dialogue with someone. Very little of what I say is spontaneous at all. I guess, for a lot of people, their process of reading/writing as actually fairly divorced from their process of speaking/hearing. For me they’re mashed into a single thing.
A good read, I guess, if you have a deep and persistent interest about what the heck is wrong with me.
The final chapter of my latest novella, Expiration Date, is now available—which means the whole thing is up and ready for you to “binge read” (aka “read.”) I’m not gonna say that it’s the perfect beach read, but for a certain sort of mind (and a certain sort of beach) it is the perfect beach read.
The good folks at Arbor Teas have also gone out of their way to furnish book group support, and teamed up with the Ann Arbor District Library for special Expiration DateSummer Games badges and prizes.