If you’ve never read “They’re Made Out of Meat” by Terry Bisson, you’ve been living an incorrect life that you should no longer maintain[*].
[*] see ref.
[UPDATE 2019-11-25: I just saw Paul Di Filippo’s review of this antho for Locus, and so added a snippet of that below, because it’s insanely kind and flattering and I wanna crow about it.]
It feels a little odd to be a “new voice” in anything with so little hair atop my head and so much grey in my beard—but I’ll take it! The publisher has been kind enough to include a section of my story “In the Sharing Place” to whet your appetite (here’s a link to all five previews stories). Enjoy!
“Reminiscent of the weirdness of Ben Marcus’s The Flame Alphabet, “In the Sharing Place” by David Erik Nelson chronicles in vivid surreal fashion a post-invasion, post-collapse world where psychological counseling takes on dire new facets.…this is a killer collection, full of top-notch stories beautifully written and invested with much care, compassion and thought …Deploying the toolkit and concerns bequeathed by their literary ancestors, they are extending the reach of the genre not by plowing under everything that was built before and salting the earth, but by erecting new superstructures on old foundations—or perhaps new eco-communes in the shadow of dinosaur cities. It’s the way the field has always moved forward, and this volume gives plenty of hope that the future of future fiction is in good hands.”—Paul Di Filippo, Locus Magazine
“While readers may be familiar with many of the names and individual works here, having them together in one volume creates a stunning set of sf shorts. Highly recommended for all collections.“—Library Journal
“There are also stories that present unique dystopias such as the mist-haunted New York in Jason Sanford’s ‘Toppers’ or the mysterious outside world in David Erik Nelson’s ‘In the Sharing Place.’”—Booklist
“After some kind of alien invasion/apocalypse, children try to come to terms with the loss of their families ‘In The Sharing Place’, a thoughtful and ultimately a chilling story by David Erik Nelson. Much of the narrative takes place in the therapy sessions that happen in the Sharing Place and only slowly are details of the apocalypse revealed. It’s a very effective tale.” SF Crowsnest
The annual “spooky” issue of ASIMOV’S Science Fiction (Sept/Oct 2918) has hit newstands, and includes my apocalyptic sf/horror story “In the Sharing Place.” Enjoy!
Dove into the new issue of @Asimovs_SF last night, and read “The Sharing Place” – an absolutely heart-stopping and eye-opening (in more than one way…) #scifi/ #horror story by @SquiDaveo. I blame any weird dreams I had last night on this story… https://t.co/mkvR7UDeSlpic.twitter.com/MiJH6Q6RB6
— Maria Haskins (@MariaHaskins) August 25, 2018
Just a quick note: I’ll be at Penguicon 2018 all this weekend (May 4–6 in Southfield, MI). Here’s a schedule of all the stuff I will do (mostly lit oriented; in gray) and might do (mostly games and movies; in non-gray colors).
I tweeted about this a bit earlier this week, when Google alerted me to the existence of this cryptic (to me) web page, which appears to be a ballot for a “Japanese Nebula Award” with one of my stories in the running for “Best Translated Short Story.”
As it turns out, this is an actual thing, and sort of a big deal. (It’s called the “Seiun Award” in English—and evidently has nothing to do with the SFWA Nebula Award; the Seiun Award is named for Japan’s first SF magazine.)
A quick glance at that Wikipedia entry shows that, if my story should win, I will be the least famous cat to ever get one of these awards—and by a very significant margin. Which is to say, I’m not going to win. Still, it’s fun to be nominated. (Also, how the hell is it that I don’t have a Wikipedia page? This is at least the third page that mentions me and deadlinks my name. The ISFDB, on the other hand, is hitting this out of the park. Well done!)
Anyway, if you’re wondering what all the shouting is about, you can read the story—my first Time Portal tale, “The New Guys Always Work Overtime,” winner of a 2013 Asimov’s Award(!!!)—for just 99 cents.
Three offerings today—and you can get ’em all for less than a Subway sub:
I know a goodly portion of you have already read one or more of these stories; all are woeful shy on Amazon/Goodread reviews. If you wanted to swing by and leave your thoughts, it’d be much appreciated. Thanks in advance for helping nudge the wheel!
…when I go to sum up the story in a Big Picture way, I end up saying the same thing that I said about that election:
I totally hear where folks—angry, aggrieved, not-gonna-take-it-anymore folks—are coming from, because I totally agree with them: They are getting screwed. We just totally disagree on who is screwing them, or what is a sensible way to address that.
This story is about that, in a fundamental way.
I also tell an anecdote about seeing a homeless guy get ejected from a Coney in the mid-1990s, and make mention of Michigan trespassing laws, the sovereign citizen movement, my neighbors from Chennai, and Dave-o’s patented “magpie and junk drawer” speculative-fiction drafting strategy.
The Nov/Dec issue of F&SF is still on newsstands—but only for a few more days. Nab your copy soon!
Found this in a stack of unlabeled 78 rpm records I bought off eBay, like, a billion years ago. No time to lay down a new track this week, so I just digitized this instead. Mysteries within mysteries, etc.
Beats per Week installment number five, with another deep cut from the limited U.S. release of the 1994 film In the Celestial Monastery. Folks will recall this motif—worked much more gradually in the film score as it appeared in theaters—from the long montage in which Sieto and P’u finally begin to find a way to communicate with the Wanderers and their technology.