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I’ll level with you: This is going to be a hoot. It’s a good book, it reads well, and I’m moderately hilarious. I’ll bring snackies of some sort.
Nonetheless, I’m totally dubious about my capacity to draw an audience. Therefore, I’m running two contests(!!!) associated with this event:
CONTEST: If you are the one and only person who shows up you get a free book, a personal reading, and a free drink at the nearest bar!
BONUS CONTEST: If the number of attendees exceeds the number of fingers I have (total), I will additionally read from the novel of y’all’s choosing. No reasonable request refused!
2. Good Noise in the Loud Lab!
On October 28 I’ll be the featured artist in the Sonic Workshop at the Ann Arbor Hands on Museum from noon until 4pm . I’ll be running my “Loud Lab,” which includes a special installation of the Slinky Sound Forest, weird homebrew instruments and freak-out noisetoys you can rock out on, and an opportunity to craft your own weird noise-music-thingies under my dubious tutelage. Details:
In many ways, this story is the exact opposite of the last Dale Bailey story I recommended—which, in a way, almost makes them philosophical book ends. That said, the real philosophical counterpart (counterpoint?) to Bailey’s “The End of the End of Everything” is Poe’s “Masque of the Red Death“; please read them back to back and decide where you stand. That’s what stories are for.
Price drop on my novelette “The Traveling Salesman Solution.” A time portal story, and also a grim moral koan. If I’ve ever written a story I think everyone in America should read, it’s this one. For a limited time this lil fella—my first sale to The Magazine of Fantasy & Science Fiction and only true hard-SF tale—is just 99-cents!
I know a goodly portion of you have already read one or more of these stories; all are woeful shy on Amazon/Goodread reviews. If you wanted to swing by and leave your thoughts, it’d be much appreciated. Thanks in advance for helping nudge the wheel!
There Was a Crooked Man, He Flipped a Crooked House (coming soon?!)
The full table of contents is good company, and the cover art kicks ass! Keep an eye peeled in your local bookstore this summer.
Table of Contents
Better You BelieveCarole Johnstone
Liquid Air Inna Effress
Holiday Romance Mark Morris
Furtherest Kaaron Warren
Where’s the Harm? Rebecca Lloyd
Whatever Comes After CalcuttaDavid Erik Nelson
A Human Stain Kelly Robson
The Stories We Tell about Ghosts A. C. Wise
Endosketal Sarah Read
West of Matamoros, North of HellBrian Hodge
Alligator Point S. P. Miskowski
Dark Warm Heart Rich Larson
There and Back Again Carmen Machado
Shepherd’s Business Stephen Gallagher
You Can Stay All DayMira Grant
Harvest Song, Gathering SongA. C. Wise
The GranfalloonOrrin Grey
The Starry Crown Marc E. Fitch
Lost in the DarkJohn Langan
Incidentally, I immediately spent the money I got for this reprint on a bunch of “folk metal” and “hauntology” music.The former is probably self-explanatory (metal music heavily influenced by folk music of various regions—this article is a good place to start, if you’re curious).The latter is apparently a British thing, where folks make fake soundtracks to non-existent low-budget 1980s horror films and British paranormal TV series.My current heavy rotation faves are:
Blood of the Black Owl (Pacific Northwest folk metal—big Americana and Native American influences, neat soundscapes)
“The Donner Party” is mos def my fave story in the last issue of F&SF. It seems like an obvious gag straight through to the untangle—at which time it becomes bone chilling. Downright perfect dismount, in my humble. Recommended.
…when I go to sum up the story in a Big Picture way, I end up saying the same thing that I said about that election:
I totally hear where folks—angry, aggrieved, not-gonna-take-it-anymore folks—are coming from, because I totally agree with them: They are getting screwed. We just totally disagree on who is screwing them, or what is a sensible way to address that.
This story is about that, in a fundamental way.
I also tell an anecdote about seeing a homeless guy get ejected from a Coney in the mid-1990s, and make mention of Michigan trespassing laws, the sovereign citizen movement, my neighbors from Chennai, and Dave-o’s patented “magpie and junk drawer” speculative-fiction drafting strategy.
The Nov/Dec issue of F&SF is still on newsstands—but only for a few more days. Nab your copy soon!
If you write fiction long enough, interviewers will start to ask you “Where do you get your ideas?”
Readers love this question (it’s also a dreaded chestnut of con Q&A panels). Writers hate it. It’s like asking “Where do you get the time to write?” Every one of us gets the same 24 hours each day; doctors spend some of those doctoring; drug addicts spend some of that getting high; writers spend part of one of those hours writing stories. One person can be any or all of those, and more.
Likewise, we all see/hear/mis-hear/read/misread/imagine all sorts of crazy crap every day. Those are ideas. That’s where ideas come from.
But that’s maybe a cheap answer, because it takes the question too literally. I think maybe what folks are asking when they ask “Where do you get your ideas?” is “How do you store/catalogue all the weird shit you see every day so that it’s useful to you later?”
And to that, my answer is this:
My brain locks on to odd shiny things and hordes them.
Most of the fiction I write comes out of a collision: I’ll stumble across some interesting fact or idea or snatch of plot or dialogue, but won’t really have any use for it, and so it just sorta bobs around in my head. Sooner or later, as other shiny ideas catch my notice and get tossed into that cranial junk drawer, several will bang together and stick in some interesting way. When ideas stick together they make a distinctive POP!ing sound. I listen for the pop, then start writing.
This is the essence of the “magpie and junk drawer” approach to research and writing. I stumbled into it as a kid having to do research papers, and it’s served me well ever since. Go forth, apply this in your life, and sin no more.