Girl totally rocks the original “Super Mario” medley (complete with coins and power-ups!) on a sheng, sounds like she totally belongs in the Mos Eisley Catina Band:
A robot plays a pop hit (I love the rhythmic element that the robot’s motors and gears bring to the song):
Props to Arthur Lacomme for pointing me to this one featuring “Mr. Curly” (which is the instrument, not the dude playing it). I love that watering-can clarinet Pollack demos around 1:45!
(Arthur also recommends the open-source Rakarrack software package, which he uses when he rocks his Mr. Curley.)
This one is pretty interesting if you stick with it; what you no doubt initially take to be a precursor to the 8-track is playing cartridges loaded with ribbon-based analog records(!!!). The macro-lens bit at around 5:20 gives you an example of both the sound (pretty damn solid) and the mechanism (OMFG! Wünderbar!) Hilarious remote control, too.
And then there’s this guy:
(FYI, that caption was Wordpress’s suggested—and I love it!!!)
o_O The thing that makes this one, for me, is how the strings are anchored in the eye sockets(!!!) The Met has several of these—from different generous donors and almost certainly different artisans—and they all use the eye sockets and brow ridge as a saddle and bridge. Humans, amiright?
N.B. that, according to current expert opinion, this thing—which is indeed from Central Africa, where it was crafted in the 19th C by a native artisan—was produced for no other purpose than to sell something fantastically “primitive” and “savage” to European tourists/anthropologists (and thus inform European opinions of these nations and, in all likelihood, form the foundation of the moral justifications for brutal colonialism). I invite the reader to meditate on their own how this might mirror our current situation with imported polarizing/fake news, and who the greater savage might be: The supplier who makes the ersatz evidence, or the customer who furnishes the demand and shells out the cash?