Very cool footage if you are interested in how string instruments work. This is straight video, unaltered and not CGI: The interaction of the digital video camera light-sensor’s scanning speed, the frequency of the string, and the frame-rate of the video make the standing s-wave in the bass string visible. (This is called a “rolling shutter” effect, and there are lots of coolexamples floating around the internet. Wicked-awesome!) stunning bass-string shot on Vimeo
This is rom Yoshihito Isogawa’s book Wheeled Wonders.
I have a copy of his Fantastic Contraptions that my publisher sent me, and I *love* it: Really beautiful book (it’s all color photos of the projects, rotated and exploded so you can see how they piece together and function), lots of whimsical projects that are complex without being complicated. (His other videos are pretty sweet, too.)
Every Sunday in March the folks behind FestiFools will be leading the public in building *awesome* illuminated lanterns to be used at the April 1 “FoolMoon” night-time parade (which is a run-up event to the April 3 daytime FestiFools Giant Scary Puppet parade). Come down, build some lanterns, and have an all-around good time with local crafting enthusiasts!
(I won’t be down at today’s workshop–it’s my mom’s birthday–but will be at the next several.) Free, Drop-in Sculptural Lantern Workshops!
DATE: March 6, 13, 20, and 27
LOCATION: The Workantile Exchange, 118 S. Main, Ann Arbor, MI, 48104
BONUS: Free treats from Sweetwaters Cafe for the first 25 folks to show up!
FREE AND OPEN TO THE PUBLIC!
Here’s a video demo of one sample lantern being built; these are *so supercool*!
This is a good intro to puppet-making, and a really solid lesson in pedagogy.
I love how chill Henson is; he doesn’t dumb down what he’s saying, and he also doesn’t amp it up (*HEY KIDS!*)–he presumes that his audience, regardless of age, is composed of interested human beings of average intelligence. It’s fun and it’s dignified (not in the sense of “stuffy,” but in that it respects the dignity of both the teacher and the student); in my experience, this is the best recipe for running a class where folks have fun and learn/make something they’ll value (again, regardless of age: 4-year-olds and 40-year-olds can all be spoken to basically the same way, you just have to squat on your haunches when addressing the former, and stand up straight when talking to the latter).
I also love that the puppeteers are clearly messing with Henson. That cracks me up.
Learn to make, tune, throw, and catch two different cardboard boomerangs in this FREE SAMPLE from Snip, Burn, Solder, Shred:
PROJECT 18: Cardboard Boomerangs
Generations of American children wrongly grow to believe that building and throwing boomerangs is very difficult. This flies in the face of reason: Using less-than-ideal materials, human beings have been building, throwing, and catching returning boomerangs for more than 11,600 years. . . . They are, in fact, among humanity’s longest-standing ways of showing off. . . .
Boomerangs are absurdly easy to make; the real trick is in tuning and throwing them (all of which I cover in detail in this free sample). With the aid of the Print-n-Snip Templates (link below; includes two new tri-blade designs!) this is a great all-ages project: I’ve had a blast running boomerang workshops with teens and adults at sci-fi conventions, middle-aged family guys drinking beer, and dozens of elementary schoolers on the verge of Snow Day Insanity.
ink spot: Sock Cthulhu
Dear friend Corey Johnson made several improvements when building her Sock Cthulhu, all of which I heartily endorse. I *love* these wings! Check the link for details on her mods.
If you make a sock monster–or anything else–feel free to drop me links, and I’ll add ’em to the gallery.
COST: FREE!!! BONUS MICHIGAN EVENT: I’ll be running another cardboard boomerang workshop at the Main Branch of the Ann Arbor District Library on February 22 from 1pm to 3pm. Learn to build, tune, and throw cardboard boomerangs. Middle-school-age and younger kids are welcome with their folks. This one is also FREE!
Mike Kessler (carpenter and founder of the Workantile Exchange–which is where I sit and type most days) points out:
Making the frame looks like the easy part: setting up the shop and building all of the specialized jigs before the frame is built, that is the hard part. The quality of a craftsman is in the ingenuity of his jigs– that is what determines the quality and consistency of the final product; this guy is impressive.