A lot of the short films Dust releases are 75% solid, then fall apart at the untangle/resolution (often by not having one at all: they have a terrific Setup, then a nice Tangle, then roll credits—grrrrrrrr). But this one holds up nicely. Give it a watch:
Fresh translations of samurai accounts of a “barbarian” ship in 1830 give startling corroboration to a story modern scholars had long dismissed as convict fantasy: that a ragtag crew of criminals encountered a forbidden Japan at the height of its feudal isolation.
The “samurai accounts” listed above included watercolor sketches made by Makita Hamaguchi, who was sent to investigate the interlopers and their “unbearable stench.”
What really gets me, though, is the detail of the dog in this sketch, which Hamaguchi noted “did not look like food. It looked like a pet.”
I pretty much always at least like the stories included on the Pseudopod horror podcast, but boy-oh-boy, is this one spot-on for me. It starts like this:
Eaters is regarded by some as a flawed masterpiece and an underground classic. To others, it is vile, racist, ethically bankrupt, and derivative.
It makes for peculiar viewing. The plot follows the formula of the Italian cannibal movies for which director Bill Dobbs had an unashamed fondness. An anthropological expedition into the Amazon jungle encounters and brutalises a tribe of ‘savages’ in the name of science, and find themselves pursued, captured, and finally gruesomely eaten alive.
(The film was originally going to be released as Dark-skinned Cannibals of the Tropics, though thankfully someone more enlightened than Dobbs suggested the title we now have. It almost goes without saying that Dobbs has been unanimously described as a completely unrepentant racist.) …