Clouds and Tower; Hand and Eye; Stone and Surf (Sketches of the Week for Week 28 of 2026)

We’re caught downwind of forest fires in the Upper Midwest and Canada, and thus experiencing some of the worst air quality on earth (literally) here in Ann Arbor right now. The smoke is at ground level, where it shifts like fog. Everything smells like someone is BBQing over a dumpster fire, and the sun looks like a searing, distant bike-reflector at the back of a shed occupied by a chain-smoking blacksmith. Walking outside for more than 15 minutes, even in a respirator, gives you a headache and your eyes itch.

Last week I was kayaking around the Apostle Islands, which was dangerous and terrifying in its own special way, but way better than this. So I’m thinking about that. The above sketches are from that trip, as are the below pics.

FYI: in this last picture, that’s fog, not smoke—which was still terrifying, because we were in kayaks, and Lake Superior is the biggest lake in the world, and you can get hypothermia from falling in it in the summer, but still not so bad as this garbage air that has me and the dogs trapped indoors.

My glass is neither half full nor half empty… (Sketch of the Week for Week 39 of 2025)

… because it isn’t a glass of water; it’s just a sketch. But I like how I began to capture the light here. I didn’t get it right, but I got closer than I think I’ve gotten on any sketch before, and I really do love light and shadow and refraction.

A pencil sketch of a glass of water, half full

That said, I did a terrible job of capturing “glass” in this glass. Here’s one of my father’s finished drawings on a similar theme (though no water; his glass was entirely empty. Let that be a lesson to you.)

A finished drawing of an empty drinking glass by David Robert Nelson (z"l)

I’ve always loved this drawing, how precise and controlled it is, how it makes a flat white page into a space one can occupy. I suppose there’s a lesson there, too: the hours upon hours spent making a small orderly corner of the world where every lines makes sense and can be justified and defended, and the whole thing can be secured in a frame unchanging, so you can keep looking back at it and knowing it is there exactly as it should be.