Recommended Reading/Listening: PseudoPod 886: “A Wonder of Nature, In Need of Killing” by VG Campen

PseudoPod 886: “A Wonder of Nature, In Need of Killing” by VG Campen

I loved this story, especially given the wonderful voice acting by narrator Sevatividam. Very strong vibes of “illegitimate lovechild of True Grit and H.P. Lovecraft.” Recommended for those who enjoy voicey first-person narrators, down-holler riverside oxy-and-meth country Americana, turtle soup, and county fairs.

You can listen to this story wherever you get podcasts, or at the following link, which also features the full text for those who prefer reading over being read to:

PseudoPod 886: “A Wonder of Nature, In Need of Killing” by VG Campen

(art credit: “Kalmarian swamp turtle” by Halycon450 released under Creative Commons Attribution-NonCommercial-ShareAlike 3.0 License)

I can’t shake the feeling that there is something vaguely antisemitic about this situation . . .🪄🐇👿

Holy Moses! The “suave devil look” for magicians (goatee, tuxedo, etc.) was invented by a Jewish magician named “Herrmann” (which I think is German for “Mr. Man”—which just so feels like a name assigned by a census taker who was fed up with weird Yiddish shtetl names he couldn’t spell) who performed for Lincoln!

New York Times: “How a 1933 Book About Jews in Magic Was Rescued From Oblivion” (🎁 gift link)

In fact, Herrmann (shown in the picture at the top, courtesy of his Wikipedia entry) is so synonymous with the look that if you prompt an A.I. with “create a poster for an 1800s stage magician. The magician needs a goatee” it gives you a picture of this otherwise obscure 19th Century French stage magician:

A.I.l generated image from the prompt “create a poster for an 1800s stage magician. The magician needs a goatee.” The result is a stereotypical "suave devil" stage magician--and happens to be a nearly spot-on portrait of 19th C Jewish magician Alexander Herrmann

This is Seriously How I Feel about Every Casino App 🎰💸🤮

I live in Michigan, and we’re deluged in ads for this stuff here. I don’t personally care about gambling—don’t dig it, don’t really object to it, not close to anyone who’s gotten really tangled up in it. But these apps—the aggressiveness of the celebrity shilling, the dopamine-flood design of their ads, the trite offers of “help” to those struggling with a gambling problem—just feels gross as fuck to me. It may be a stretch to say you are profiting from your neighbors’ misery when you use these apps, but it is no stretch at all to point out that Jamie Foxx and Jason Alexander and all the rest of these celebrity shills sure as shit are. Why in the world are these folks, who are already multi-millionaires, taking this work to promote these apps?

A Canticle for Leibowitz ★★★★★

(I do a fair bit of reading, which I track over on Goodreads. Trying to move some of that value over here, prior to the inevitable enshitification.)

This is a re-read (or really a re-listen for me). The first time I read A Canticle for Leibowitz I was maybe 17 at the oldest, so almost three decades ago now. Reading old books is a comfort, because it reminds us that even our most painfully modern woes—A.I.! Self-driving cars! A broad American passion for alluring misinformation coupled to a contempt for facts spoken by the “wrong” side!—were old and well-worn decades before I was born. This books is from 1959, and it’s third section literally opens with a guy working in his office and getting super frustrated with the malfunctioning A.I. he’s trying to dictate a letter to. Soon thereafter he and his subordinate have to dodge autonomous semis while crossing the street to get to the cafeteria. 😂

Setting aside Canticle‘s mild antisemitism(*), it’s refreshing to read religion in a scifi book written by someone who doesn’t have contempt for religion, but neither idealizes it, either. Miller (who I understand to have been a devout Catholic by the time he wrote the novel) respects that religious institutions, like any and all institutions, are political and can be petty, because they are operated by humans (who are political and petty). But he also highlights that religious institutions aren’t *just* petty political vehicles. He acknowledges the reality that people don’t cleave to religion out of fear or contempt or cruelty or because they hate the Other, but rather out of love and comfort and, believe it or note, a true and legitimate desire to bring about a good and just world.

We have religion in America now—right alongside our malfunctioning A.I. and glitchy self-driving cars. We’re gonna have it in the future. It’s absence in scifi is as weird and non-credible as the bizarrely small number of Black people in the Detroit depicted in Robocop.


(*) A “Wandering Jew” character plays a major supporting role in all three sections of this A Canticle for Leibowitz. I think enough people categorize the “Wandering Jew” as a foundational antisemitic trope that this should be a fairly non-controversial opinion. But I also know how the Internet works, so if you’re legit interested in discussing what precisely reads as antisemitic to me in this novel, feel free to reach out. Happy to chat.

“Who’s Coming to Hurt Us?”[UPDATE] ✡︎

An interesting take on some recent research:

Who Are the Least and Most Antisemitic Americans by Ideology?

“The upshot is that the least antisemitic Americans are mainstream liberals and conservatives. The most antisemitic are the extreme left, the extreme right, as one of the theories noted above suggests, but also low information voters, who skew survey results by often self-identifying as “moderate.””

In other words, modern Jew-hate in America isn’t a right-wing thing (as most progressives insists), nor a horseshoe (as often seems to be the case on the ground, as a Jew), but instead a “W,” where the Left and Right peaks correspond to strongly ideological folks blaming Jews for this or that social ill (e.g., Jews are both the all-controlling capitalist puppet-masters AND the socialist-communist shadow agents driving the Great Replacement), and the middle peak is composed of average/moderate/centrist folks who mistrust the “mainstream” media, don’t identify as anything, and get their news from increasingly biased and ignorant spheres.

Hence:

Oy. 😕

(For those wondering about the image that leads this post, my schpiel on this shorthand.)

Cannibalism: it’s what’s for dinner!

I like this as satire and critique, but also just really love the rhythm of this graff:

With the advances we have made in pain management, prosthetics and ergonomic furniture, there isn’t a compelling reason not to become a Center-of-the-Plate contributor to the next course of global food mania. Write off that leg with the bad knee on your taxes; then hack it, cryo-vac it, ship it to a tycoon in Hong Kong who needs something rare to serve his guests at the executive dinner.  It’s a win-win for din-din!

—Stephen Trouvere, “A Modest Proposal Regarding Office Veal

Pairs well with Agustina Bazterrica’s Tender Is the Flesh (translated by Sarah Moses). My thoughts on that novel:

Straight talk: this book is a little like heavy metal poisoning. Its impact is pernicious, deep, and likely permanent. You’ll be powerfully tempted to pigeon-hole this as an allegory (about world-wide overconsumption of meat, about climate change, about patriarchy, about the deadly tendency to humor wealthy idiots)—but, jeez, don’t. That’s just a defense mechanism, your brain’s white blood cells trying to contain and thus destroy an interloper. Don’t cop out like that. Just let the story fully in, let it blossom and consume you.

It’s really a helluva book.

October 7 and the “Pumpkin Spice Latte Problem”

The thing that I most connect with in this comic is that the Jews look like ghosts. I identify with that, as I’ve often felt like a ghost here in my Homeland. I guess the big change for me since October 7 is that before I felt like a ghost passing largely unnoticed or unacknowledged. That was sometimes annoying, but usually fine. Or, at least, I was used to it, which made it seem fine if I didn’t think about it too much.

Now I feel like some portion of the population has noticed us and decided we need to be exorcised and banished, while another portion has noticed us and wants us to summarize 3000 years of history in seven words or less and then explain what the hell is up with a bunch of other ghosts in some other country who we don’t even know, while a third portion have noticed us and insist we aren’t ghosts at all—just pale “regular” people who should get over whatever unpleasantness happened in the 1930s and 40s in Europe, or last October, or last week, or last night, or tomorrow, because it’s all the distant past and in our heads and maybe didn’t even happen or certainly isn’t or wasn’t or won’t be as bad as we say it was/is/will be.

But the biggest portion look at me and say “You’re a ghost? I had no idea you were a ghost!”

‘cause I don’t look like a stereotypical ghost.

But I am a ghost.

I’ve been a ghost this entire time.

A panel from the comic/essay "Haunt­ings: Look­ing Back at Fall 2023" by Abby Horowitz. The image shows two adults (rendered as black-and-white outlines) looking at three children in military-esque Halloween costumes. The caption reads: "We began a loop around the parking lot, trying to look like we belonged. We couldn' t escape our sense of dislocation, though; the shadow of war followed us the whole time."

One adult says "AM I BEING RIDICULOUS IF THIS MAKES ME REALLY UNCOMFORTABLE?"

The other adult answers "UM I'M PRETTY SURE THAT'S THE MILITARY
UNIFORM OF SYRIA..."

A thought-bubble above the children reads "JEEZ THESE JEWS ARE SENSITIVE." 

https://www.jewishbookcouncil.org/pb-daily/hauntings-looking-back-at-fall-2023