Flashback Friday: Halloween Edition 🎃🦇🔪

A seasonally appropriate list of creepyscarry links:

"Don't Make Me Go Back, Mommy: A Child's Book about Satanic Ritual Abuse" ritual
I’m not making this book up, and it wasn’t a joke. I cannot stress this enough. It was a real children’s book real people bought without irony, intending to use it to help them teach their children about the realities of Satanic Ritual Abuse.

May We Be Brought Back from the Mouth of Annihilation

After the Pittsburgh Synagogue shooting my coworker at the Hebrew school admits she wishes we had less windows” by Joshua Elbaum

​​I bet birds wish the same thing.
That anyone would take the sky, crack it,
put its pieces where they don’t belong,
astonishes them. The birds fear our foolishness.
We who dare to choose between gifts
the sky offers: light without rain, heat
without hail, stars without the space between—   
I remember the stained glass of Sundays,
how it stained the light too, shape of Jacob,
Joseph, Miriam. Shape of a dove,
of an ox. Shape of a story our faith arrives
through, refracted. My mouth forming
the shape of someone else’s mother
tongue, the prayers too a window,
through which a song might pass
but not the meaning. We are to be ready
for what the children ask in the morning.
We are to be ready to barricade the doors.
Windows are most dangerous when they are so clean
you could mistake them for air.
When I tell my family about this job they laugh
because all I ever used to ask about at holidays
were the plot holes. These children ask nothing,
as if knowing they could slip away into American
suburbia if they had to. It is said Jews fear transcendent
relationship with G-d because it reminds us
of assimilation. There is a reason for every law,
like skin they keep the self inside the self.
A person should pray only in a house
with windows, as it is written.

The Orthodox draw a circle in the sand
saying everything to one side of this is holy.
The Mystics draw a circle around a circle
and erase little holes into the smaller one.
My grandparents kept glass cases
filled with children and birds,
a tiny fiddler, a goose with golden eggs.
Each case a window into a childhood
that might be bought back retroactively
from the mouth of annihilation,
from the night of too many stars,
the streets covered in little pieces of sky.
The body perishes because it is permeable.
To weather and disease and bullets.
If you want to be king of the world
make your world very small. Plug every plot hole.
Take the lightless box and pray in it.
The killer too sat at a dark window others
at other dark windows whispered through.
Windows are most dangerous when they are so clean
you could mistake them for a mirror.
There is a teaching that Moses at Mount Sinai
received no tablets, no commandments
not even a word, just one soundless letter
the noise of the larynx clicking into gear,
glottal seed to spool story around like pearl to grit,
plot hole that vacuums creation in around it.
On another stained Sunday I wonder why
any sound needs my mouth to make it at all.
When I open to ask, a pigeon flies down my throat.
I close my eyes and everything I can’t see is spared.
God whispers through the window of the sky at night
saying, the body perishes unless it is permeable.
A kid at work tells me my eyes look like the universe.
I thank him, and he corrects me: the universe is dead.
My eyes look like the dead universe. He is my favorite.
The sky is running out of birds to throw at us.
Soon there will be no wings to carry our prayers up.
I am trying to keep breathing. I am trying not to look away.
A miracle, that no matter how much we see,
there never seems to be any less light.

for Joyce Fienberg, Richard Gottfried, Rose Mallinger, Jerry Rabinowitz, Cecil Rosenthal, David Rosenthal, Bernice Simon, Sylvan Simon, Daniel Stein, Melvin Wax, and Irving Younger

…for all of my slaughtered brothers and sisters…

May their memories be for a blessing. May HaShem avenge their blood.

HALLOWEEN TREAT 🎃👻🦑💀: “Mitochondrial Assimilation” by Khalifaziz @NightlightPod

This story resonates with me tremendously as a Jew. It captures the ambivalent, ecstatic trauma of becoming part of the thing that is America in a way that perfectly matches my lived experience.

NIGHTLIGHT (A Black Horror Fiction Podcast) # 422: “Mitochondrial Assimilation” by Khalifaziz

They also have an interview with the author, Khalifaziz, that’s well worth your time.

I sorta love local investigative reporters…

… yes, they are cheesy showboats—no doubt—but they are cheesy showboats performing what is likely the ONLY FUNCTION most folks ACTUALLY want out of the Fourth Estate: to warn them about shit that might harm them on a regular day-to-day basis.

A huge portion of “news” focuses on opinion and “analysis” (which is just another kind of opinion) and “commentary” (a third name for opinion).  All of these are technically forms of fiction: a person takes a nugget of reality and weaves whatever the hell they want around it.  (DISCLOSURE: I was an op-ed writer for years. I’ve looked hard and long at how these particular sausages are made. It has lead to me being pretty goddamned disgusted by the prospect of eating any.)

Meanwhile, the easily maligned local TV investigative reporter?  Say what you like about the smarm and histrionic gotcha!ness, but those bastards are speaking facts: they smell something fishy, go and get pics, take samples to a lab, and report the results. God Bless ’em

Hold Up: Is that emblematic 1967 Armour hot dog commercial an homage to Ingmar Bergman’s classic film SEVENTH SEAL?

I mean, it’s weird that no one talks about the obvious visual similarities between the beginning of hot dog ad (top image) and the final image from Bergman’s Seventh Seal (bottom image), right?

The opening frame of the classic ’67 “Armour Hotdogs” ad
The final frame of Bergman’s Seventh Seal, often referred to as the “Dance of Death” by scholars

Are we to understand that the Armour hotdog ad takes placed in some purgatorial afterlife, where we are all condemned to revert to a childlike state of un-knowing and follow a sinister hot dog man, terrified and singing? ’cause that’s a dark, dark Easter Egg, folks.

Here’s the entire VINTAGE 1967 ARMOUR HOT DOGS COMMERCIAL – KIDS MARCHING & SINGING:

And here’s the end of Bergman’s 1957 film, Seventh Seal:

History is a Reminder that We Do Not Live in Uniquely Stupid or Chaotic Times

This comic is from 1930 and about the smallpox vaccine, but it is also 100% from this past year and about Right Now. (The second guy is labelled “Faddist,” which Snopes explains is “a largely archaic word that describes people who turn to alternative or niche health trends, especially diets, in a way that neglects or contradicts mainstream scientific advice.”  i.e., anyone taking horse dewormer or insisting on hydroxychloroquine while rejecting the vaccine.)

Flashback Friday: “First Days”

Just a brief reflection on First Days at school. I wrote this back in 2017, when my youngest began kindergarten. I posted it now, because after 406 with no in-person school, it’s taken me a month to process that her first day of the school year came and went without dire consequences.

About to board the bus for her First Day

This old essay begins like so:

Tuesday was my daughter’s first day of kindergarten. At 4:20, when her bus finally arrived, she didn’t get off.

The driver checked, first calling out from the front, then shushing all of the kids and calling out again, then finally going seat to seat down the length of the big yellow bus.

My daughter wasn’t there.

Don’t worry—this is an “all’s well that ends” situation…

from First Days (or “To Hell with Mitch Albom and his Bullshit Flat-Earth Nostalgia”)

It goes on from there. And, no, I have no clue why I chose to defame Mitch Albom in the title of this pieces. I never mention him in the entire essay. He must have just pissed me off that day. Dude does that.

On the occasion of his 365th day spent shredding guitar and filing patents in Heaven

This is a real illustration for a real patent really filed by (and granted to) Eddie Van Halen—yes, that Eddie Van Halen of the band Van Halen, may his memory be for a blessing.

Fig 1, US Patent 4,656,917, "Musical instrument support," Eddie Van Halen

(FUN FACT: The above video has not “aged poorly”; it was exactly as offensive in 1984 as it is today. Also, still hella catchy.)

FUN FACT: Moderating Facebook Gives Facebook Moderators PTSD

The question for me is this: Does Facebook provide anywhere near the social value to justify what this man suffered?  Does it provide enough value to justify the suffering of the likely thousands of workers who Facebook employees to protect us from Facebook?

As you reflect on this, you probably want to check out The Facebook Files, an ongoing investigative series from the Wall Street Journal (articles are paywalled, but the related podcasts are free and worth your time and attention).

Plainly put, Facebook profits from hate and misery. Further reads:

Brass tacks question: Given what social media companies like FB can and will do, in terms of exerting editorial control when it is in their interest to do so, I’m left wondering if they really deserve Section 230 protection?  

FB, of course, is far from unique here—or, maybe, is uniquely awful only in the magnitude and clarity of their disfunction and viciousness.  For a Twitter-centric rumination on the fundamental design aspects of social media that are making it so damaging to both individual humans and larger human societies, please read Noah Smith’s rational (and, in the case of the later, research-backed) articles “The Shouting Class” and  “The Shouting Class 2: Last Refuge of Scoundrels”: 

“In other words, society has always had about the same number of shouty jerks. But with the rise of social media, we have moved our society’s political discussions from spaces in which the shouty jerks were at least somewhat marginalized and contained to spaces that preferentially amplify their voices.…In pursuit of personal glory, bad people turn neighbor against neighbor.”

Noah Smith in “The Shouting Class 2: Last Refuge of Scoundrels