This video is mostly narrated by Dr. Robert Cialdini, who’s most famous for his book Influence: The Psychology of Persuasion (where he first presented most of the ideas seen here). This is a text book—if not the Bible—on how to talk to people about things that you really care about, and get them to see your perspective.
Cialdini started out as a research psychologist, and my understanding (which fits the tone of the book) is that he began working on the book—which catalogues and examines several categories of sales/influence tricks and techniques—as a sort of warning to lay folks. After its first publication, it became enormously influential among marketers, copywriters, businessfolk, and all manner of modern propogandists. If you write for any purpose (e.g., speechs, op-ed, news, fiction, non-fiction, persuading folks on the fence to vote for this or that) or run any sort of business, you need to read this book. For that matter, even if you don’t seek to persuade anyone of anything, I still strongly recommend every adult in America read this book, in order to better understand how it is you’ve come to believe what you believe, embrace what you embrace, and reject what “just isn’t your thing.”
(While we’re on the topic, you really should also read Darrell Huff’s HOW TO LIE WITH STATISTICS; the black arts outlined in these two books cover the two major toolsets that the politically and economically motivated are using to manipulate you and your loved ones every single day. Get your hands on Master’s tools; consider their possible applications in tearing down Master’s house*.)
Caveat: Yes, some of the hard data and studies in the original Influence haven’t aged well, but the bold strokes—about how people behave and how our minds get changed without our realizing it—is still rock solid.
BONUS: Check out this analysis of Oprah, and compare it with what Cialdini describes above:
…unless you’ve ever had or been a child or parent.In that case, whoadamn!!!
This is from Ari Aster, the writer/director of Hereditary and Midsommar—the latter of which I loved, although plausibly for different reasons than most.To me, it wasn’t a revenge film at all.There’s a crop of female-lead horror films surfacing (A Dark Song is another that leaps to mind) that are tremendous explorations of how one processes trauma.Midsommar is mos def one of these, in my humble—and, in a deeply morally ambiguous way, sort of an optimistic film, when all is said and done.Highly Recommended.
This movie was a Big Deal to us back when it came out in 2001, but it hasn’t necessarily aged well (“Oh, look, another annoying young white man talking,” my wife opined near the end).
That said, I was struck, over and over again, by how hopefully the movie is about now.
Even in its cynical moments, it’s hopeful about us—the humans of the future—in a way that feels like something midway between “charmingly quaint” and “astoundingly, nearly nauseously, naive.”
I want to be like the people in this film. I want to see us the way they were certain we’d be. I want to be as confident as they were that we’d at least be trying to be better tomorrow than we were yesterday.
Today is Summer Solstice. Quite literally, it gets darker from here.
Let’s try and be the people we always assumed we were, dee down inside.
The Pseudopod team always does great work, but I’m especially thrilled with what the reader—Rish Outfield—has done here; the story has lots of voices, and he captures them all.Such a treat. (For those less inclined to audio drama and more to old-fashioned reading, they have the full text of the story posted, too.)