Emotionally Scarring Children to Help them Cope with Things that Never Happened #HappyHalloween!!! 🎃👻🍬

The images below are taken from Don’t Make Me Go Back, Mommy: A Child’s Book About Satanic Ritual Abuse.  This is a real book that was earnestly written and actually published, then presumably read to actual children (who, one presumes, were duly traumatized) in order to help them cope with having not endured fake things that never happened to anyone (see also “Satanic Panic”and D&D as thrill-kill gateway drug—and recall, these were current events, reported in the newspaper, recounted in measured tones on the evening news, endlessly explored on the afternoon talk shows I watched while my folks were at work. I was a fat, gullible, ill-monitored Jewish pre-teen at the time. These cases enthralled and terrified me.) "Don't Make Me Go Back, Mommy: A Child's Book about Satanic Ritual Abuse" halloween

The craziest thing about all this, to me, is that the author and publisher really did have their hearts in the right place, I think.  In contrast to most materials surrounding the issue of Satanic Ritual Abuse, this wasn’t an attempt to bait the hook of Fundamentalist Christian propaganda or Normative White bigotry with raw meat ripped from the tabloid headlines. 

"Don't Make Me Go Back, Mommy: A Child's Book about Satanic Ritual Abuse" ritual

"Don't Make Me Go Back, Mommy: A Child's Book about Satanic Ritual Abuse" cover This book comes from the “Hurts of Childhood” series, which honestly and directly tries to address real burdens that many children really face: parental alcohol abuse, sexual assault, traumatic family situations, and so on.  Yes, every single title in this series is just as maladroitly handled—but, jeez, at least they were trying.

"Don't Make Me Go Back, Mommy: A Child's Book about Satanic Ritual Abuse" bath "Don't Make Me Go Back, Mommy: A Child's Book about Satanic Ritual Abuse" doctor 2 "Don't Make Me Go Back, Mommy: A Child's Book about Satanic Ritual Abuse" doctor 1

Let me stress: This stuff looks silly and ghoulish and comically naive now, but we actually believed these things were happening back in the 1980s. Real people really went to prison—and stayed there for years—having been accused of heinous abominations and convicted of committing a type of crime that hasn’t ever happened:

The survey included 6,910 psychiatrists, psychologists and clinical social workers, and 4,655 district attorneys, police departments and social service agencies. They reported 12,264 accusations of ritual abuse that they had investigated.

The survey found that there was not a single case where there was clear corroborating evidence for the most common accusation, that there was “a well-organized intergenerational satanic cult, who sexually molested and tortured children in their homes or schools for years and committed a series of murders,” Dr. Goodman said.

Many psychotherapists who have been vocal about a supposed epidemic of sexual abuse by well-organized satanic rings have grown more cautious of late. “There’s clearly been a contagion, a contamination of what people say in therapy because of what they see on TV or read about satanic ritual abuse,” said Dr. Bennet Braun, a psychiatrist who heads the Dissociative Disorders Unit at Rush-North Shore Medical Center in Chicago.

So, anyway, that was life in the 1980s. It was legitimately fake news that led to literal witch hunts and actually completely destroyed people’s lives.

(image sources  here and here)

“Of Archival Interest Only” (on artists who behave despicably)—UPDATED

I normally would have skipped this (“Vulture—Louis CK Is Done”), because I don’t particularly care for Louis C.K.’s work one way or the other.  But do yourself a favor and give this article read; it’s bigger than this moment, and starts to get its arms around something that we finally need to wrestle down:

When disturbing stories about respected artists come from the distant past, we treat them dispassionately, as just one detail among many. Present tense or near-present tense revelations hit us differently because we share the same world as the artist, breathe the same air, feed the same economy. We think of them as contemporaries, even as people we know. This kind of revelation changes the relationship between the artist and the art, in a way that places an unasked-for, unfair burden on the audience. This is what’s happening culture-wide. And it’s not the fault of people who didn’t report it, or audiences who aren’t sophisticated enough to separate the art from the artist. It’s the fault of the artists for being secret creeps or criminals, and the fault of the system for making it possible for them to act this way for years without being punished.

UPDATE:If you’re the sort of person who uses storytelling to help them understand the world, then this horror story might maybe help you understand Louis CK right now: “Hello, Handsome

“There Was a Crooked Man, He Flipped a Crooked House” in the July/August F&SF

It seems I’ve been talking about my novella “There Was a Crooked Man, He Flipped a Crooked House” without being super-duper clear that it’s out on newsstands and availableMagazine of Fantasy & Science Fiction, July/Aug 2017 for download in the July/August issue of The Magazine of Fantasy & Science Fiction.  My bad!  The story is being met with a degree of enthusiasm that I hadn’t really expected, and that’s sorta had me spun.  So, here’s the nitty-gritty:

 

Wanna Buy a Copy?

  • The July/Aug F&SF is now in bookstores throughout the US, including most Barnes & Noble locations. 
  • To buy it online:

Wanna Help Spread the Hype?

  • Tweet (retweet it!): 
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  • Goodreads link (review it!)
  • Nebula Awards: F&SF makes every story they publish available to SFWA members on the password-protected Nebula Forums  If you’re an SFWA member (or know some), feel free to hit them with that link and they can download and read “There Was a Crooked Man, He Flipped a Crooked House” (and tons of other great stories) for free.

Wanna Know About How the Sausage Gets Made?