I was interviewed by Lisa Haselton for her Reviews and Interviews blog this past summer. This was technically part of the publicity for Expiration Date, but mostly ended up being about other things. I tell a long anecdote about “When I First Knew I Was a Writer” (i.e., “The Most Important Thing I Learned About Writing at 15-years-old”) and “My Most Interesting Writing Quirk”:
What would you say is your interesting writing quirk?
I subvocalize almost constantly. Like, this sentence I’m typing right now, I’m thinking about saying it as I’m typing it. I can feel it on my tongue. It’s the same when I’m reading (and a big part of why I’m such a slow reader). Almost every thought I have is composed as an imagined dialogue with someone. Very little of what I say is spontaneous at all. I guess, for a lot of people, their process of reading/writing as actually fairly divorced from their process of speaking/hearing. For me they’re mashed into a single thing.
A good read, I guess, if you have a deep and persistent interest about what the heck is wrong with me.
Just a quick note: I’m on the faculty of the Michigan Writing Workshop this year, doing fantasy and science fiction critiques (I still have a few open slots, they tell me). Lots of interesting speakers this year (I’m especially hoping to drop in on D.E. Johnson’s thriller/mystery/crime writing sessions; I dug his book The Detroit Electric Scheme).
Artists: Even if you are lukewarm on Weezer, this interview with Rivers Cuomo (the band’s frontman) is so worth your time. I’ve got more than a little experience with collaboration, creativity under duress, constrained writing techniques, and Oulipo-like methods, and yet I’ve never come across a process like this, which is at once ornately technical (spreadsheets, demo files, something akin to A/B testing) and is so meticulous in the interest of harnessing randomness and stripping context and formal planning out of the creative process.
Weezerians: To those who dig Weezer already, know this: The stories in their songs are not stories they wrote, but stories you wrote in response to the fragments they gathered and the formulae they use to collect and organize those fragments.
Public Service Announcement: Song Exploder is consistently awesome (for example, it introduced my 9yo to Iggy Pop and made him an instant fan). So worth subscribing and supporting.