Just a quick note: I’m on the faculty of the Michigan Writing Workshop this year, doing fantasy and science fiction critiques (I still have a few open slots, they tell me). Lots of interesting speakers this year (I’m especially hoping to drop in on D.E. Johnson’s thriller/mystery/crime writing sessions; I dug his book The Detroit Electric Scheme).
Artists: Even if you are lukewarm on Weezer, this interview with Rivers Cuomo (the band’s frontman) is so worth your time. I’ve got more than a little experience with collaboration, creativity under duress, constrained writing techniques, and Oulipo-like methods, and yet I’ve never come across a process like this, which is at once ornately technical (spreadsheets, demo files, something akin to A/B testing) and is so meticulous in the interest of harnessing randomness and stripping context and formal planning out of the creative process.
Weezerians: To those who dig Weezer already, know this: The stories in their songs are not stories they wrote, but stories you wrote in response to the fragments they gathered and the formulae they use to collect and organize those fragments.