A classic monster story that’s also a quietly feminist story about predators. Short, but full of surprises nonetheless.
The first story in PseudoPod 798: Flash on the Borderlands LX: Words Like Violence
A classic monster story that’s also a quietly feminist story about predators. Short, but full of surprises nonetheless.
The first story in PseudoPod 798: Flash on the Borderlands LX: Words Like Violence
Loretta Lynn, a singer and songwriter whose rise from dire poverty in Kentucky coal country to the pinnacle of country music was chronicled in the best-selling memoir and movie “Coal Miner’s Daughter,” and whose candid songs gave voice to the daily struggles of working-class women, died Oct. 4 at her home in Hurricane Mills, Tenn. She was 90.…
[Lynn] was a teenage bride and mother, a country star and a grandmother by her early 30s.
obituary in the Washington Post
This is, in lyrics and delivery and bear-trap smile, 100% the song of a 30-year-old grammy who is done taking shit. May she watch over all of us, and forever be our guide.
I sat there behind the wheel of my car, not sure what I should do, wishing I was someplace else, anyplace else, trying on shoes at Thom McAn’s, filling out a credit application in a discount store, standing in front of a pay toilet stall with diarrhea and no dime. Anyplace, man. It didn’t have to be Monte Carlo. Mostly I sat there wishing I was older.
—from Christine, by Stephen King