A lot of the short films Dust releases are 75% solid, then fall apart at the untangle/resolution (often by not having one at all: they have a terrific Setup, then a nice Tangle, then roll credits—grrrrrrrr). But this one holds up nicely. Give it a watch:
Tate didn’t like how the kid was acting. The teenaged male in the second-hand cruiser’s back seat—who could produce no ID, but had given the moderately improbable name of “Jamal Kartazian”—was far too compliant. As a rule, kids like this—scrawny white boys with lumpy dreadlocks and grimy hoodies—were a spewing font of the Three Bs: bravado, back-peddling, and begging.
But not this kid. Jamal Kartazian was cool and collected; he almost seemed satisfied to find himself locked in the back of a cop car. And, in contrast to every other kid Tate had ever busted in his short two-act career as first a cop and then a rent-a-cop, this kid was actually asking to be “hauled back to the station.”
He sticks his finger in his mouth, then draws the spit-slick digit out and, swift as a fencer, pushes it into my face. I instinctively rear back, as though moved by some sort of mystical energy field, perhaps one created by all living things—the sorta thing that surrounds us, penetrates us, and binds the galaxy together.
Hey gents: Ever wanted to do sex stuff to a cannibal ghost’s face? Well, guess what? NOW YOU CAN!
I don’t wanna come off as a prude or anything, but I think that there’s maybe absolutely nothing not wrong with this, from it’s name—which starts with “sexbaby“(!!!), and then somehow manages to get worse—to the use of colors and shapes, to the reviews, distressingly low price, and the fact that this is in stock and “Fulfilled by Amazon” (thus conjuring the image of untold ranks of shelves in a Tennessee warehouse, holding uncountable numbers of cartons, each containing boxes upon boxes of individually packaged artificial ghostbaby sexmaws. With teeth.)