I’ve written scads of advice things to folks who’ve emailed me expressing interest in freelance editing/copywriting, but nothing sort of generically about productivity in the “GTD” sense.
Anyway, when it comes to that, two pieces of advice jump to mind. The first is something a rabbi said during High Holidays services once, which amounted to “God doesn’t really give a shit about something you did one time; it’s when you repeat things over and over again that God takes notice.” The rabbi was talking about sin, basically advising against beating yourself up over a single fuck-up.Instead, make good and move on to Do Good Things (which may or may not square you with any Magickal Sky Fairy, but is certainly a helluva lot more socially productive).
But this position—that the thing you do one time isn’t what you are—goes for everything, good and bad: You aren’t a thief just because you stole something one time, and you aren’t a writer just because you wrote and sold one good thing.The last story/book/article/brochure does almost exactly jack-shit to help you write and sell the next one. You are a writer because you write every day. So, decide on the thing you want to be, and be that thing for at least a little while every day.
This sounds sorta stupid—or, at best, equal parts stupid and profound, like the Wise Men of Chelm—but still, every story I’ve sold in the last, I dunno, eight-ish years has been mostly written 25 minutes at a time weekday mornings while children slept.
The other piece of advice is straight from Ramit Sethi, who is sort of a huckster and sort of dead-on about most of what he says (albeit in a huckstery life-coach-ish way). Anyway, one one his big pieces of advice (at least a few years ago, when I was more actively following him) was to stop saying “I don’t have time for X.” All of us are busy and all of us blow precious minutes and hours dicking around on Facebook and leafing through shitty magazines and watching crap we don’t care about on YouTube and whatever. We have time for it. You can get up 25 minutes early every morning and write stories and novels 25 minutes at a time. You can get in shape—great shape, really—25 minutes at a time. You can learn about retirement savings or knitting or how to eat all vegan 25 minutes at a time. We use time as an excuse, because we don’t really—in our hearts—give a shit about the things we say we want. Just like TLC warns, we are scrubs “always talking about what we want / then we sit on our broke ass”
The real problem isn’t the time, it’s the prioritization. So, just the honest and start saying “I’m not prioritizing that.”
“Lose some weight? Sorry, I’m not really prioritizing going to the gym right now.”
“Hate my job? I’m not prioritizing finding a new one.”
“Feeling perpetually pyscho-emotionally fucked up? Yeah, well, I just can’t prioritize finding a shrink and going to sessions.”
(These are all drawn from my life, incidentally.)
Changing your language like this forces us to really look at what we’re doing, ’cause when your kid says “Can we go play at the park?” or “Can you read me this book?” or “Can we watch this show?” and instead of saying “I’d love to sweetie, but I don’t have time” you say “I’d love to, sweetie, but I’m not prioritizing that right now”—well, you feel like a royal douchebag, and you do the important thing instead of the thing you thought was important.
So, that’s the advice:
Be the thing you want to be for at least a little while everyday.
Spent the holiday weekend chilling with friends, and we built a few Jitterbugs (tiny, super-simple, super-cheap robots that run away from light, cockroach-style). I’d totally forgotten how much fun these are. Here’s a video of my 4-year-old sitting in the closet with flashlights and competing at “reverse sumo” (first person out of the ring wins):
Here’s a set of Jitterbugs built by Stephen Trouvere and his boys, with the addition of LED eyes:
I love how those lil guys turned out! For the curious, all we’ve done is built the standard jitterbug, then taken a pair of regular ol’ red LEDs, wired them in parallel, buffered the positive lead with a 100Ω resistor (brown-black-brown stripes), and soldered the free resistor lead to the positive battery terminal, and the negative LED legs to the negative terminal (it’s the same way we wire up the LEDs in the “Switchbox” project in that same book).
I’m interested in artistic formulea of all stripes, so my ears perked up when I stumbled across this blog post exploring why it is that every pop song I hear as of late seems to feel the same, even when they sound totally different.The key: A little earwormy melodic alternation embedded into the hook.Here’s the article’s kick-out—although the whole thing (which is rife with video examples) is well worth your time:
[T]he Millennial Whoop evokes a kind of primordial sense that everything will be alright. You know these notes. You’ve heard this before. There’s nothing out of the ordinary or scary here. You don’t need to learn the words or know a particular language or think deeply about meaning. You’re safe. In the age of climate change and economic injustice and racial violence, you can take a few moments to forget everything and shout with exuberance at the top of your lungs. Just dance and feel how awesome it is to be alive right now. Wa-oh-wa-oh.
Having read this, I wondered how persuasive such a simply piece of patterning might be. So, in five minutes I sketched out this little tune and, whaddya know, it sounds like the outro of basically anything I’ve stumbled across while tuning across the dial during the last several long summer car trips:
For the curious, there’s literally nothing going on in this song: The left hand is just a straight C Major chord alternating with whatever you call that lazy F Major where, instead of actually moving your hand up, you just skooch your thumb and index fingers up one white key each, so that you pick up F Major’s F and B while keeping C anchored as the bottom note (maybe that’s an “inversion” of F Major?)The right hand, as per the “Millennial Whoop” formula, is alternating between the G and E two octaves up—i.e., the V and III in a progression where C is the root (i.e., I).The lyrics (which, depending on your speakers, might be hard to hear without headphones; I’m shit at mastering) are just whatever popped into my head, and the whole thing was recorded using my cellphone.The only “studio magic” (done in Garageband, and largely without any digital pixie dust) is “doubling the vocals” (see below—which is an excerpt form my book Junkyard Jam Band )—especially important in this instancebecause 1) I can’t sing for shit (which double-tracking tends to obscure) and 2) the mic on my cellphone didn’t pick up my voice particularly clearly, on account it was sitting on top of my keyboard’s speaker.Even if it had caught my singing, I likely would have doubled the vocals anyway (which are actually quadrupled by the end—listen with headphones, and you’ll hear two extra voices, slathered in “chorus” effect, that come in on the second round of Oh-ee-oh-ee-oh-ohs), since that sorta lush studio overkill is baked into this running-’til-the-break-of-dawn! summer-hit genre.
There are three types of things you have to do in this life:
Things you enjoy doing for entirely internally motivated reasons—those things that you simply find pleasurable or gratifying in and of themselves, without further social context.
Things you enjoy doing because someone will give you money to do it.
Things you enjoy doing because they please or help other humans whose opinion you give a shit about.
Note what is lacking here:
things you don’t enjoy doing
Everything that you do, you should be able to mentally reorient into one of the Three Things listed above. If there’s a thing you can’t do that with, then maybe you need to excise it from your life.