More from Our Man in Brussels

Sorry it’s taken me so long to post an update from our man in

Arthur et ses bons amis
Arthur et ses bons amis

Brussels, Arthur Lacomme.  As you’ll recall he and his pals built some frikkin’ awesome! costumes/instruments/noisetoys for the Carnaval Sauvage de Bruxelles.  You can see more pics and vid on Arthur’s website.

I love a lot of things about both this Carnaval Sauvage de Bruxelles thang and Arthur’s contribution to it, bot most of all I love their costumes. When I was very little my mother was a docent at the Detroit Institute of Arts, and so my earliest memories are of that museum, and especially their collections of Native American and African ritual art and “material culture.”  I’ve always loved the dance costumes they have in their collection (similar to those shown below, which are in the AIC), and the dances that went with them, which were exuberant and otherworldly to me (much like the sounds that I like to dig out of unsuspecting electronics).

(Picture Courtesy of the Art Institute of Chicago)
(Picture Courtesy of the Art Institute of Chicago)

Arthur also pointed me to a few of his fellow Brusselers (Brusselman? Brusselsprouts?) similarly pushing out into the fringes of the Good Noise.  I’m loving this!

Here’s Why the Eye:

 

and this is Hoquets:

PRO-TIP: Get both of these vids playing simultaneously in separate windows on your computer; the sounds layer-up in a fun way.

Experience the Power of the Slinky Sound Forest at Penguicon 2017

I’ll be at Penguicon again this year (April 28–30).  But instead of just sitting on a few panels and mooching a lot of free drinks, I wanted to do something extra special.  So this year I’m spending the entire weekend building something extra special for you to experience and interact with—and for the Slinkies to finally be heard.

Won’t you join me—and the Slinkies—before it’s too late?

Continue reading “Experience the Power of the Slinky Sound Forest at Penguicon 2017”