…but hate that it’s yet another sci-fi film shot in the bizarro Detroit that’s mysteriously devoid of all Black people. WtF, dudes!
Do you know how hard it is to find great Black actors for an SF movie in Detroit? ZERO HARD! It’s a huge city, there are several solid acting programs at the various colleges and universities there, plus an additional 700,000 people.[*]
Also, not for nothing, but imagine how much more tightly on-theme this movie would have been if you highlighted race and consumption, rather than white-washing Detroit—THE BLACKEST CITY IN AMERICA:
[*] Yes, I saw that there were a couple Black ladies in the background of one shot. But, c’mon, dude, please. Incidentally, they weren’t even credited; i.e., they were probably just a pair of ladies that happened to be wandering around. 🙄
Fresh translations of samurai accounts of a “barbarian” ship in 1830 give startling corroboration to a story modern scholars had long dismissed as convict fantasy: that a ragtag crew of criminals encountered a forbidden Japan at the height of its feudal isolation.
The “samurai accounts” listed above included watercolor sketches made by Makita Hamaguchi, who was sent to investigate the interlopers and their “unbearable stench.”
What really gets me, though, is the detail of the dog in this sketch, which Hamaguchi noted “did not look like food. It looked like a pet.”