Another fun little online visual toy: click and swirl!
(Aside: I really sorta love the way this guy explodes into motion when you click the link.)
Category: Other Writing
Who’s holding the camera?
Jack Teixeira, dressed in camouflage fatigues, his finger wrapped around the trigger of a semiautomatic rifle, faced the camera and spoke as though reciting an oath.
“Jews scam, n—-rs rape, and I mag dump”
from the Washington Post: “Alleged leaker fixated on guns and envisioned ‘race war’”
First and foremost a video like this gets me thinking “Who’s coming to hurt us?”
(Answer: This guy #duh Me and my kids, we scam. He shoots. You get to score points tallied in our blood. End of story.)
But after that, videos like this get me thinking of how the camera fundamentally misdirects: we get so fixated on what’s in the frame, we forget about what’s outside the frame, who is holding the camera, pointing it, choosing what it shows and what it hides.
So I wonder: who was holding this camera? What have they left out? What choice did they make, and why?
Incidentally, if you want to watch a better man than me really stunningly dive into this issue, you can do worse than Errol Morris’s documentary about the American war crimes at Abu Ghraib, Standard Operating Procedure:
The Wiggler: An Expressive Synth Using Daisy Seed and Flexure
First things first, this is a fun little synth and I love the voice. But I’m mostly sharing this video because I really like how the creator guides us through their discovery process, and how the concrete realities of these materials and methods guided their design process. Well worth ten minutes of your time.
The Groundbreaking “Computer Speech” Record from Bell Labs (1963)
Hear the groundbreaking “Computer Speech” record from Bell Telephone Laboratories, which features synthesized speech created by one of the earliest computer speech synthesis systems. Directed by D.H. VanLenten, this record represents a significant milestone in the development of speech synthesis technology. … You’ll also discover how punched cards were used to provide the computer with detailed instructions on how to manipulate the various formants to produce different sounds [and] explore the fascinating technique called formant synthesis, which involves simulating the resonances of the human vocal tract, and the IBM 704 computer used to generate the speech sounds.
Incidentally, this record predates Kubrick’s 2001: A Space Odyssey by four years, and came out at least a year before he began considering the project in earnest. We know that his work in 2001 was influenced by educational materials from the time; hard to believe this wasn’t one of them.
Anyway, just for the record: this “talking computer” was exactly as intelligent as ChatGPT or any current AI, and considerably less so than a parrot—and inspired the same blue-sky certainty in the media. Hell, here’s an article about computers talking and reliably taking natural-language instruction within the next decade!!! (It was written in 1959.):
Does Russia Have Any Functional Nukes?
Thunderf00t—who I don’t always agree with or necessarily like—makes an excellent point around the 18 minute mark in this video. The jist of it is this: nuclear weapons are fragile as hell and expensive to maintain (to the tune of ~$1 million per year). If not properly cared for, they don’t kaBOOOOM!🤯 and Chernobyl us all to Mad Max land. Instead, they look perfectly fine and useful, but when you go to launch them, they fizzle like damp firecrackers (albeit damp firecrackers that can spread radiation; but still, while awful, a dirty bomb is not a nuclear bomb).
Russia is a first-order corrupt kleptocracy, as demonstrated by their current Ukrainian misadventure. If they haven’t been maintaining the cheap and easy stuff (like tanks), then they sure as hell aren’t maintaining the expensive stuff that’s hard to spot check for compliance (like nukes).
(Honestly, the whole video makes a series of inter-nesting excellent points, and is worth watching. The major thrust is that there are a lot of dogwhistles blowing out there, signaling who is and is not an actual nuclear superpower.)
Distraction of the Day: Supershape Kaliediscopetronics!
Check out this Supershape visual fidget thingy. Make sure to double-click it; that’s where the fun is.
famous ∧ children’s author ∧ British ⇒ antisemite
From Lewis Carroll’s Symbolic Logic (1896):
POSIT: IF you are a famous children’s author AND you are British THEN you are an antisemite.
(cf. Roald Dahl, J.K. Rowling, this asshat, probably Rudyard Kipling, etc.)
As an aside, the fact that Carroll (who came from a family of high-church Anglicans and took holy orders) wrote #21 tends to give credence to #20: All W.A.S.Ps are unfriendly.
“Pinball’s Symphony: A Whole New World”
I just love every damned bleep, bloop, reverberant clang, and lady robot sigh in this thing.🤖
“The idea of using the short grunts and groans came to me when I watched people playing the game, the way that people expressed their frustrations or their involvement with the game.”
Suzanne Ciani
SHAMELESS SELF-PROMOTION: “This Place is Best Shunned” made the 2022 Locus Recommended Reading List/Ballot
My novelette “This Place is Best Shunned” made the 2022 Locus Recommended Reading List/Ballot. (Story is free-to-read online, linked from the list.)
Voting on the Locus Award is open to all. Ballot deadline is April 15, and you may come back and add to or change your votes anytime until then.
RECOMMENDED READ “Mister Ice Cold” by Gahan Wilson
RECOMMENDED READ “Mister Ice Cold” by Gahan Wilson
I first read this when I was 12—already an avid reader of OMNI, the 100% perfect magazine for my adolescent Mysteries of the Unknown pre-X-Files brain—and it changed my world:
The chant-like repetition!
The onomatopoeia!
The unheimlich at its core, the disconcerting flesh it shows peeking through the drowsy mundane skin of the midwestern suburbs (where I myself lived)–stumbling across this story was like like bitting into an orange that turns out to be full of blood-moist teeth and a Chinese fortune.
The goddamned art!!!
The second person?!
In many ways it was exactly the sort of story I’d always want to write forever after. “In the Sharing Place” is warped by the enormous gravity of this story–and especially its art–forever looming large just below the horizon of my brain.
(Incidentally, if you wanna read “In the Sharing Place” right now, $3 Patreon Patrons get instant access to the story, audiobook, and 40-minute analog horror film versions.)
And, predictably, it was Ellen Datlow (esteemed editor of the Best Horror of the Year anthologies) who commissioned “Mister Ice Cold” and put it in OMNI—and thus into the hands of a 12-year-old kid outside Detroit who really should have been practicing his Torah portion, not up late reading a slick from the drugstore.