I sorta love things like this, not because it’s the “sound of a Martian sunrise”—because it isn’t. It’s a composition humans made, using an express (and consciously expressed) scheme that’s inspired by a Martian sunrise.
No, I love this art because it sounds pretty and pleases and soothes me, and I love projects like this because artists always and forever operate based on formulae—they just usually aren’t able (or willing) to consciously and explicitly formulate those formula. I like it when we engage with our formulae outright.
Also, I really like Mars. Our relationship with that planet has changed substantially since I was a boy, and that always fills my heart with Hope.
I’ll level with you: This is going to be a hoot. It’s a good book, it reads well, and I’m moderately hilarious. I’ll bring snackies of some sort.
Nonetheless, I’m totally dubious about my capacity to draw an audience. Therefore, I’m running two contests(!!!) associated with this event:
CONTEST: If you are the one and only person who shows up you get a free book, a personal reading, and a free drink at the nearest bar!
BONUS CONTEST: If the number of attendees exceeds the number of fingers I have (total), I will additionally read from the novel of y’all’s choosing. No reasonable request refused!
2. Good Noise in the Loud Lab!
On October 28 I’ll be the featured artist in the Sonic Workshop at the Ann Arbor Hands on Museum from noon until 4pm . I’ll be running my “Loud Lab,” which includes a special installation of the Slinky Sound Forest, weird homebrew instruments and freak-out noisetoys you can rock out on, and an opportunity to craft your own weird noise-music-thingies under my dubious tutelage. Details:
Another remix of deep cuts from my crates of old Simpsons episode LPs and highly recognizable bits and bites from the original motion picture soundtrack for the 1986 cult-classic horror-thriller Churchville’s Purgatorio. (As with the last two installments, be advised that big bass demands big headphones.)