CONTEXT: I grew up outside of Detroit, where we were taught to never, ever go out on ice (very few ponds froze solidly, because so many were spring fed, or had weird inflows of nice warm waste that kept the ice rotten). But one time I was walking on a gravel path around a pond, scuffing my feet, and the gravel went shooting out over the thin, glass-smooth, clear ice and made this most amazing space-phaser-time-portal-starship-battle-pew-pew-pew! sound that I love-love-loved! (My ongoing experiments in slinkiphonics have largely been about chasing this Good Noise™ and wielding).
I’ll level with you: This is going to be a hoot. It’s a good book, it reads well, and I’m moderately hilarious. I’ll bring snackies of some sort.
Nonetheless, I’m totally dubious about my capacity to draw an audience. Therefore, I’m running two contests(!!!) associated with this event:
CONTEST: If you are the one and only person who shows up you get a free book, a personal reading, and a free drink at the nearest bar!
BONUS CONTEST: If the number of attendees exceeds the number of fingers I have (total), I will additionally read from the novel of y’all’s choosing. No reasonable request refused!
2. Good Noise in the Loud Lab!
On October 28 I’ll be the featured artist in the Sonic Workshop at the Ann Arbor Hands on Museum from noon until 4pm . I’ll be running my “Loud Lab,” which includes a special installation of the Slinky Sound Forest, weird homebrew instruments and freak-out noisetoys you can rock out on, and an opportunity to craft your own weird noise-music-thingies under my dubious tutelage. Details:
I love hearing from folks who read my DIY books, because they are always up to something that I never imagined, and yet love on first sight. Case in point:
Last December I got an email from Hamish Trolove, a Junkyard Jam Band reader who mentioned he was building his own riff on aShane Speal 2×4 lap steel with a build-in Mud-n-Sizzle pre-amp (project 12 in Junkyard Jam Band) and dual LFO box (translation: It’s a junkyard lap steel electric guitar with a built in pre-amp—so things might get loud—and an automated modulator, allowing him to dial in anything from a little honky-tonk tremelo shimmer to a big pulsing metal wobble).
As Hamish explained:
The instrument uses waste cargo palette wood, and TIG welding wire to mark the “fret” spacings. I find that old palettes often have extraordinarily hard wood with some amazing colours when planed down, sanded and varnished. Hopefully by the end of the project I’ll have something that looks fairly tidy-ish in a hobo/steampunky kind of way.
“Fairly tidy-ish” is such an understantement. Check this thing out:
Oh daaaaaaamn! I love everything about this! He also included a schematic of his expansion of my old Universal LFO (Junkyard Jam Band project 13), for folks interested in doing something similar:
Hamish also put me on to Frescobaldi, a powerful, pretty, and free sheet music text editor that looks amazing. (For every 100 of you who are wondering why you’d ever need such a thing, there is one musical geek who is gonna click that link and weep with joy. Trust me, for I have been that very geek.)