The Groundbreaking “Computer Speech” Record from Bell Labs (1963)

Hear the groundbreaking “Computer Speech” record from Bell Telephone Laboratories, which features synthesized speech created by one of the earliest computer speech synthesis systems. Directed by D.H. VanLenten, this record represents a significant milestone in the development of speech synthesis technology. … You’ll also discover how punched cards were used to provide the computer with detailed instructions on how to manipulate the various formants to produce different sounds [and] explore the fascinating technique called formant synthesis, which involves simulating the resonances of the human vocal tract, and the IBM 704 computer used to generate the speech sounds. 

Incidentally, this record predates Kubrick’s 2001: A Space Odyssey by four years, and came out at least a year  before he began considering the project in earnest. We know that his work in 2001 was influenced by educational materials from the time; hard to believe this wasn’t one of them. 

Anyway, just for the record: this “talking computer” was exactly as intelligent as ChatGPT or any current AI, and considerably less so than a parrot—and inspired the same blue-sky certainty in the media. Hell, here’s an article about computers talking and reliably taking natural-language instruction within the next decade!!! (It was written in 1959.):

Screenshot of article from December 2, 1959 titled "Talking Computers Foreseen in Decade." The first paragraph reads: "Ten years from now it will be possible literally to speak to an electronic computer and have it answer right back.…"

Observers will note that was a somewhat optimistic estimate (the first commercial product that approximated this functionality was released in the 2010s) .

famous ∧ children’s author ∧ British ⇒ antisemite

From Lewis Carroll’s Symbolic Logic (1896):

A picture of the “examples” (presumably of syllogisms) on page 109 of Lewis Carroll’s “Symbolic Logic” (1896). The examples read as follows:

#19 A prudent man shuns hyaenas;
No banker is imprudent.
	No banker fails to shun hyaenas.

#20 All wasps are unfriendly;
No puppies are unfriendly.
	Puppies are not wasps.

#21 No Jews are honest;
Some Gentiles are rich.
	Some rich people are dishonest.

POSIT: IF you are a famous children’s author AND you are British THEN you are an antisemite.

(cf. Roald Dahl, J.K. Rowling, this asshat, probably Rudyard Kipling, etc.)

As an aside, the fact that Carroll (who came from a family of high-church Anglicans and took holy orders) wrote #21 tends to give credence to #20: All W.A.S.Ps are unfriendly.

Recommended Read: “What It Feels Like To Die” by Warren Benedetto

“What It Feels Like To Die” by Warren Benedetto

I’m usually against drabble[1]; I’m not against this. Go read it now.

[1] short version: the constraint is uninterestingly arbitrary, and very few authors are up to the limitation; much as “five-minute horror film” almost always translates to “one dumb jump scare,” “drabble” almost always translates to “squandered half-an-idea.”

Recommended Listening: Mayfair Watchers Society

I often bounce from a fiction Podcast because I’m a “monster-of-the-week” guy (in the X-Files sense of “Monster-of-the-week” vs “Mythology”), and far too many “serial drama”-style podcasts 1) fall in love with their Mythology arc and 2) the writers (in my humble) just cannot sustain those long, heavy arcs. Listening becomes a chore and strain; I have enough chores, and if I wanted homework I’d go to grad school.

Thus far, Mayfair Watchers Society is delivering the thing I desperately wanted: a monster-a-week, no cast of 1000s to keep track of over years-long lightly scripted arcs. You can pick it up anywhere; Autopsy happened to have been the episode where I resoundingly felt “This is for me!“

Also, love the art!

Enjoy!

Mayfair Watchers Society: “The Autopsy” (Season 1, Ep. 3)

cover art for "The Autopsy" shows a chicken-footed smile monster in the doorway

NSFW (but I did learn that Danish pig farmers have remarkably clean boots)

I generically hate TED Talks (because they are, on average, garbage), but I’m sharing this because:

  1. It is hilariously NSFW
  2. There’s something about Mary Roach’s delivery that gives the distinct vibe that she maybe lost a bet and was thus obliged to give this talk
  3. I have a middle-schooler’s mentality, at best
  4. The excerpt of the instructional DVD from the Danish National Committee for Pig Production is truly superb

SHAMELESS SELF-PROMOTION: “This Place is Best Shunned” made the 2022 Locus Recommended Reading List/Ballot

My novelette “This Place is Best Shunned” made the 2022 Locus Recommended Reading List/Ballot. (Story is free-to-read online, linked from the list.)

Voting on the Locus Award is open to all. Ballot deadline is April 15, and you may come back and add to or change your votes anytime until then.

banner graphic reads "2022 Recommended Reading"

RECOMMENDED READ “Mister Ice Cold” by Gahan Wilson

RECOMMENDED READ “Mister Ice Cold” by Gahan Wilson

I first read this when I was 12—already an avid reader of OMNI, the 100% perfect magazine for my adolescent Mysteries of the Unknown pre-X-Files brain—and it changed my world:

The chant-like repetition!

The onomatopoeia!

The unheimlich at its core, the disconcerting flesh it shows peeking through the drowsy mundane skin of the midwestern suburbs (where I myself lived)–stumbling across this story was like like bitting into an orange that turns out to be full of blood-moist teeth and a Chinese fortune.

The goddamned art!!! 

Art from "Mister Ice Cold" by Gahan Wilson (originally published in Omni magazine #139, April, 1990) caption reads: Mister Ice Cold never opens the bottom right door in the back of his truck.

The second person?!

In many ways it was exactly the sort of story I’d always want to write forever after.  “In the Sharing Place” is warped by the enormous gravity of this story–and especially its art–forever looming large just below the horizon of my brain. 

(Incidentally, if you wanna read “In the Sharing Place” right now, $3 Patreon Patrons get instant access to the story, audiobook, and 40-minute analog horror film versions.)

And, predictably, it was Ellen Datlow (esteemed editor of the Best Horror of the Year anthologies) who commissioned “Mister Ice Cold” and put it in OMNI—and thus into the hands of a 12-year-old kid outside Detroit who really should have been practicing his Torah portion, not up late reading a slick from the drugstore.